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In a hinged position she dangled her arms—breathing as they swayed, living in their lifelessness.
- Reviews
Christopher Knowles’ performance brings us into his world, one that’s precise, repetitive, forthright, fantastical, and perhaps obsessive.
- Culturebot Partnership, Reviews
Published in collaboration with culturebot.org -- an excerpt from Mark Fisher's 2015 book.
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Seeing Tharp's company, I was curious how she would respond to questions about race, inequality, diversity and inclusion.
- Interviews
The Dance Apocalypse -- hilarious, outrageous, provocative, and intimate all at once.
- Reviews
Los Angeles is infamous for its traffic. The evening of work that LA-based company BODYTRAFFIC presented at the Prince Theater felt congested.
- Reviews
Published in collaboration with culturebot.org, John Hoobyar writes about the expectation of bowing or not after the show.