All Articles

Photo: Johanna Austin

The Requisite Movers: The Complexities of Black Consciousness

Gregory King

In a hinged position she dangled her arms—breathing as they swayed, living in their lifelessness.

Photo: Constance Mensh

He is Chris, Chris he is, and he is beautiful

Lisa Kraus

Christopher Knowles’ performance brings us into his world, one that’s precise, repetitive, forthright, fantastical, and perhaps obsessive.

Criticism For Theatre’s Sake

Published in collaboration with culturebot.org -- an excerpt from Mark Fisher's 2015 book.

Photo: Anne Van Aerschot

Oh and Anne Teresa

Kat J. Sullivan

Boris Charmatz strides out and then you, Anne Teresa.

Photo: Ian Douglas

The Color Of The Aged Queer is Pink

Gregory King

It felt personal.

Photo: Marc Van Borstel

Tharp and Race: Four Questions

Gregory King

Seeing Tharp's company, I was curious how she would respond to questions about race, inequality, diversity and inclusion.

Photo: Carlos Avendaño

A Funeral For Five Performances

Ellen Chenoweth

Hopkins asks: How is a performance like a person?

Photo: Kathryn Raines

Interview with The Dance Apocalypse

Karl Surkan

The Dance Apocalypse -- hilarious, outrageous, provocative, and intimate all at once.

Photo: Christopher Duggan

Dancing Detours

Jay Oatis

Los Angeles is infamous for its traffic. The evening of work that LA-based company BODYTRAFFIC presented at the Prince Theater felt congested.

Photo: lds.org

On Not Bowing

Published in collaboration with culturebot.org, John Hoobyar writes about the expectation of bowing or not after the show.