All Articles

Photo: Bill Hebert

Spiel Uhr: En-Trance

Roxanne Lyst

Manfred Fischbeck described EN-TRANCE as an entry point into works in progress.

Photo: Bill Hebert

Belonging at Home

Kalila Kingsford Smith

I am reminded that dance works more like poetry than like news.

Photo: Scott Shaw

Ordinary Beauty, Ecstatic Beauty

Rather than creating a hierarchy between transcendence and earthly presence, Pavel Zuštiak’s work gives equal weight to both.

Photo: Ian Douglas

Jeanine Durning’s “inging” & “to being”

Published in collaboration with culturebot.org -- Rennie McDougall explains how "inging" is the word-equivalent of a Möbius strip.

Photo: Alexander Iziliaev

Ballet Beasts: Animals All

Lynn Matluck Brooks

Our movement, our mating, our social veneer, and our violence barely sheathe our inner beastliness.

Photo: Glenn Benge

Disorientation

Julius Ferraro

Four short pieces, though they differ wildly in tone, form, humor, movement, and medium, use deliberately counterintuitive elements to evoke mystery, suspense, and even confusion.

Photo: Johanna Austin

The Requisite Movers: The Complexities of Black Consciousness

Gregory King

In a hinged position she dangled her arms—breathing as they swayed, living in their lifelessness.

Photo: Constance Mensh

He is Chris, Chris he is, and he is beautiful

Lisa Kraus

Christopher Knowles’ performance brings us into his world, one that’s precise, repetitive, forthright, fantastical, and perhaps obsessive.

Criticism For Theatre’s Sake

Published in collaboration with culturebot.org -- an excerpt from Mark Fisher's 2015 book.

Photo: Anne Van Aerschot

Oh and Anne Teresa

Kat J. Sullivan

Boris Charmatz strides out and then you, Anne Teresa.