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Photo: Zornitsa Stoyanova

“In the end it comes down to community” – Gus Gscheidle and his 1fiftyone gallery + art space

Zornitsa Stoyanova

Gscheidle: I have fallen in love with the dance and theater community here.

Photo: Bill Hebert

Dancing Duets: Mixing Styles, Stories and Approaches

Megan Stern

The final duet leaves me thoroughly satisfied with the evening as a study of the duet form.

Photo: Liz Lynch

Our Heroic, Dying Bodies

Meredith Bove

Dance has the capacity to force us to confront our own mortality, our volatile bodies: Joe Goode's "The Resilience Project."

Photo: Alexander Iziliaev

What’s New: Pennsylvania Ballet’s “Strength and Longing”

Lynn Matluck Brooks

Setting this work on four PAB men set the bar high, and they met it.

Photo: Matthew Murphy

Elisa Monte Passes the Baton to Tiffany Rea-Fisher

Gregory King

Gregory King interviews Tiffany Rae-Fisher, the new artistic director of Elisa Monte Dance Company

Photo: Scotty Hardwig

Moving Objects

Meredith Bove

Tzveta Kassabova’s double bill "From Somewhere" at Danceplace in this dispatch from D.C.

Photo: Mawiyah Dowd

Choking on Hope

Julius Ferraro

Sam Tower speaks in long, seamless sentences about developing a fantasy world for performance.

Photo: Bill Hebert

The House of BJM

Kirsten Kaschock

But Ballets Jazz Montréal has their front door wide open. It beckons.

Photo: Ian Winter

Philosophy and Choreography Together in SF

Culturebot's Andy Horwitz on Alva Noë as collaborator/performer with Jess Curtis.

Photo: Milo Yeung

Being in Lasso Belly

Jenna Horton

Jenna Horton waxes poetic about Christina Gesualdi's Lasso Belly.