All Articles

Photo: Wayne Takenaka
  • Reviews

Pua, Politics, and Tap

Lynn Matluck Brooks

Lynn Matluck Brooks reports on intersections of performance and social change at the Asian Arts Initiative.

Photo: Bill Hebert
  • Reviews

ETC.’s March Mayhem Celebrates Philly’s Diverse Dance Community

Whitney Weinstein

In events like ETC.’s March Mayhem, Philly’s dance artists inspire, encourage, and contribute to each others’ accomplishments.

Photo: Alexander Iziliaev
  • Reviews

Everything is Beautiful at the Ballet

Kristen Gillette

While the comedic elements are what make the show really enjoyable, the ballet has some gasp-worthy moments.

Photo: Kate Raines
  • Reviews

Questioning Conventions, and Questioning the Questioning at Scratch Night

Becca Weber
Photo: JJ Tiziou
  • Reviews

A Different Kind of Viewing: Susan Rethorst’s “Day of Dance”

Carolyn Merritt

I think of all the places I have lived...Do I ever fully take stock, record to memory, carry their traces and leave mine behind?

Photo: Krista Bonura
  • Reviews

Talking Parsons: Devices and Digressions

Lisa Bardarson

Lisa Bardarson and Kirsten Kaschock chat about Parsons, cravings, and crowd pleasers.

Photo: Plate 3 Photography
  • Reviews

Twins on a Mission

Patricia Graham

Tara Madsen Robbins cuts through my mental debris with her refreshingly sharp, minimal choreography.

  • Letters to Editor, News

A Letter from Steve Paxton re: Annie Wilson on Deborah Hay

Photo: University of North Texas
  • News

One Billion Rising: Can Dance Make a Difference?

Lynnette Young Overby
Photo: Tori Lawrence
  • .

On being in the presence of Deborah Hay, and the history of events surrounding that experience in the studio.

Annie Wilson

Annie Wilson interrogates just what it means to practice dance as if it were/as if it is central to the practice of a waking life.