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PS #6: Ten Bests

Chouinard #5: Ballet on Hyperdrive

Lisa Kraus

I’m always curious what will happen when a singular performer makes work for a big troupe. Which qualities will s/he pass along?

Chouinard #4: Instructed by Creature

Kirsten Kaschock

A troupe of aliens arrives in our midst. They are muscular, flightless bird creatures, and the first thing they hear is Chopin.

Chouinard #3: Marie Chouinard’s Creatures

Lynn Matluck Brooks

Wearing black bathing suits and hair-dos that brought to mind tentacles or caterpillars, Chouinard’s ten dancers gasped, writhed, spoked, stamped, and slithered through the company’s impassioned performance.

Chouinard #2: Too Much of a Good Thing?

Julie Diana

Chouinard’s dancers threw themselves into the choreography and whipped through each phrase like demonic beasts. It’s just too bad Chouinard didn’t mix it up a bit.

Photo: Eun Jung Choi

Cooking, Cake and Conversation at the LAB

Anna Drozdowski

The Live Arts Brewery (LAB) hosts an open showing each month to allow performing artists to receive immediate feedback.

Continuing the Conversation on the Role of Performance Criticism…

Meg Foley

A dance maker reflects on where reviews fit and the role of citizen critics.

Photo: Bob Emmott

Two Women Walk Out

Jim Rutter

Jeanne Ruddy has resolved to shutter her eponymous 12-year-old company whose works I have grown to adore.

Photo: Pete Checchia

Koresh Scores: Twenty Years and Counting

Kirsten Kaschock

Providing work for dancers is grounds enough for a standing ovation, but Koresh XX Years offered other reasons to applaud.

PS #5: “Review”