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Photo: Bela Shehu
  • Reviews, Write Back Atchas

Sister Bitch Intensity: A Write Back Atcha

Miryam Coppersmith

Was the hair leading the head or was the head leading the hair?

Photo: Jeffrey Bare
  • Reviews

Magnum Opus: I hate my work

Emilee Lord

A witty mockery of artist self-aggrandizement.

Photo: Angel Edwards, dancer Oliver Spencer, VD by Jordan Deal
  • Reviews

High Noon Revives the Cowboy Trope with Black, Queer Culture

Caitlin Green

With both roaring and solacing soundscapes, we wander through the psyche of a cowboy.

Photo: Rexxi
  • Reviews

Who’s a Sexy Finch?

Ella-Gabriel Mason

Bower Bird fills the intimate MAAS studio with drag, movement, and video to humorously explore how we perform gender and elic

Photo: Sarah Atunrase
  • Reviews

A Presence that is Unquestionable

Miryam Coppersmith

There’s a palpable sense of catharsis.

Photo credit: Marlene Ramirez-Cancio and Cheyenne Gil
  • Reviews

Centering Palestinian Pleasure and Agency

Ella-Gabriel Mason

Eat Me Baladi engages fragmentation to embody wholeness.

Photo: Maria Baranova.
  • Reviews

Geoff Sobelle’s Magical Foodism at the Fringe

Jonathan Stein

Geoff Sobelle has some tricks…down his gut.

Photo: Jeff Somers
  • Reviews

Bringing the Impassioned Work of Koner and Sokolow into the Present

Dancefusion and Sokolow Ensemble demonstrate the power and vitality of classic modern dance.

Photo: Dallas Padoven
  • Reviews

Hanging in the Balance

Tribe of Fools perfectly pairs the medium to the message.

Photo: Tim Blackwell
  • Reviews

Ripples of Rhythm

Miryam Coppersmith

Rhythm carries me through; each of the performers shine in moments of complex rhythmic interplay.