Viewing author:
Gregory King

Classical Theatre of Harlem and Elisa Monte Dance: Creating Spaces and Collaborations in Macbeth

Is Shakespeare different when interpreted by the black body?
July 10, 2016
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Queer Artists of Color: Why Their Works Matter

These performers bring to light experiences of queer people of color, so often overlooked and undernarrated.
June 9, 2016
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The Ballad of Trayvon Martin: Diary of a Black Man

On stage they were admired, but on the streets their attire would make them the targets of discrimination.
May 15, 2016
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BalletX: A Ten-Year Retrospective of Technique and Theatrics

BalletX’s ten-year celebration was a thank-you note to Philadelphia.
May 2, 2016
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Diavolo’s Architecture in Motion: Dance With Some Extras!

I will keep Diavolo on my list of must-see entertainment.
April 18, 2016
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Seán Curran Company: A Well-Delivered Package of Post-Modernism

Representing nine religions the group performed Tai-Chi in an homage to integration.
April 12, 2016
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Elisa Monte Dance: To Another Thirty-Five Years!

The 35th-anniversary concert of New York-based Elisa Monte Dance was both a welcome and a farewell.
March 11, 2016
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Dance Theatre of Harlem: Still a Beacon of Hope!

There is no doubt in my mind that Dance Theatre of Harlem is back.
March 9, 2016
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