Viewing author:
Megan Bridge
Skipping and Slipping Through Time with Lucinda Childs
There is an incredible humanity to these works... We breathe and the audience holds its breath. We are suspended in time.
October 17, 2013
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Leaving Stable Grounds
[I]n the shadow of better-funded festivals and venues, is.m drew a group of practitioners that demonstrated an unwavering commitment to their craft.
September 15, 2013
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It’s a Moose!
The dances in this work are usually comical, but often athletic, embodied, earnest, and endearing, and sometimes all at once...
September 9, 2013
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Catharsis: Not Just for Dead Greek Dudes
Their movement reminds me of old-fashioned computer games...Linear. Pixellated. Dot matrix era.
June 1, 2013
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Experiencing Meg Foley
Dear Meg,
It was such a pleasure to see you dance just now...
January 24, 2013
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Lynching and Love
The audience’s first responses: “Celebration. Bearing witness. Transparency. Shadows. Remembering. Nooses dropping. Acceptance. Pain. Repetition. Awesome.”
November 21, 2012
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From the Studio: in Cyborg Ballet, Technique Meets Technology
The balletic body is often held up as an image of machinic perfection.
October 24, 2012
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