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Reviews

Nanay: Tagalog for Mother

The dancers chart their ancestral matrilineal stories onto their bodies and into the grass.
September 20, 2021
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Club for One

Can a solo pleasure performance become a communal experience?
September 19, 2021
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Klassic Contemporary Ballet Company’s “Return to Müvment” Brings a Return to Joy

Dancers fill the stage, inviting me into their realm through silent narrative.
September 17, 2021
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Dwelling on the Past and Present

A short, bitter-sweet reminiscence on home and loss, thoughtfully presented.
September 17, 2021
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Dancing into the New Year

Flipping through the Jewish calendar, one dance at a time
September 14, 2021
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Shayla-Vie Jenkins Reveals Long-Buried Histories

A transcendent experience mining the racial history of the Christ Church Burial Ground.
September 12, 2021
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I Was Waiting For You

This piece was done gently enough, generously enough, that the themes of personal grief and loss came through without a heavy hand.
September 12, 2021
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Portraits of Illusion and Collapse: OhOk at Fringe

Dreams, theatrics, ruminations, and inversions structure the Berlin-based collective’s latest dance film.
September 11, 2021
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