Alie Vidich is a hyper-imaginative 28-year-old artist who swooped off a bridge and fought the city of Philadelphia for permission to turn that bridge into a performance venue.
This joint striving is one of the strange pleasures Artifact Suite provides.
The relatively new company, BalletFleming, produced a show about exploration, new friends, and life’s enlightening journeys.
Ellen Gerdes and Brenda Dixon Gottschild speak about the contemporary relevance of DTH, Balanchine, pink tights, and more...
Rosner's "barrish," a shameless, feminist homoerotic anxiety dream performance, also a poetic dance.
An immersive experimental work, not a sit-quietly-in-a-dark-theatre performance.
Their movement reminds me of old-fashioned computer games...Linear. Pixellated. Dot matrix era.
What do you do for a living? RealLivePeople(in)Motion's "The Jobs Project" is complex; an ambitious undertaking for a relatively young company.
Is PIFA’s goal to support local artists, or is it to increase audience attraction to Philadelphia?
Local ringers bookended the evening’s newbies giving a chance to glimpse both better known and up and coming companies.