Reviews

Photo: Johanna Austin
  • Reviews

The Sea as a Doorway and a Border

Nicole Bindler

ear-whispered deals with the experiences of refugees and martyrs and implicate audiences in their stories.

Photo: Margo Reed
  • Reviews

Removing the Lines: American Anthems, Spectacle, and Zyrtec

Maddie Hopfield

Immediately I was thrown into energetic chaos...

Photo: Simpatico Theatre
  • Reviews

“You Jump, I Jump. Right?”

Barbora Příhodová

This testimonial performance challenges staid notions, like what it means to be masculine, feminine, and beautiful.

Photo: Philadelphia Museum of Art
  • Reviews

Aerobics and the Bee Gees Confront Titian, Picasso, Duchamp at PMA

Jonathan Stein

A 50 minute, 2 ½ mile speedy excursion with brief stops in front of almost 20 iconic paintings.

Photo: Brian Sanders' JUNK
  • Reviews

Diving Deep

Whitney Weinstein

Eroticism, athleticism, and unconventional ingenuity.

Photo: Sokolow Ensemble
  • Reviews

The Art of Gesture

Lynn Matluck Brooks

Anna Sokolow: no frills, no elaboration.

Photo: Eric Ashleigh
  • Reviews

Unhinging memory and making time tangible

Janna Meiring

The body perceiving and holding death and grief

Photo: Orpheas Emirzas
  • Reviews

Hoochie in the Front, Coochie in the Back

Jenna Horton

In “Caen Amour,” we drink, move from front to back to front: go ahead, peep.

Photo: Sean Thomas Boyt
  • Reviews

Digital Dances/Imagined Scores

Eleanor Goudie-Averill

For the Digital Fringe, Sean Thomas Boyt has created "How To Dance," 54 “minimal dance scores.”

Photo: Darcy Lyons
  • Reviews

Cautionary Correlations

Miryam Coppersmith

A shift towards the personal/political tumbles into the all-too relatable.