Reviews

Photo: Sokolow Ensemble
  • Reviews

The Art of Gesture

Lynn Matluck Brooks

Anna Sokolow: no frills, no elaboration.

Photo: Eric Ashleigh
  • Reviews

Unhinging memory and making time tangible

Janna Meiring

The body perceiving and holding death and grief

Photo: Orpheas Emirzas
  • Reviews

Hoochie in the Front, Coochie in the Back

Jenna Horton

In “Caen Amour,” we drink, move from front to back to front: go ahead, peep.

Photo: Sean Thomas Boyt
  • Reviews

Digital Dances/Imagined Scores

Eleanor Goudie-Averill

For the Digital Fringe, Sean Thomas Boyt has created "How To Dance," 54 “minimal dance scores.”

Photo: Darcy Lyons
  • Reviews

Cautionary Correlations

Miryam Coppersmith

A shift towards the personal/political tumbles into the all-too relatable.

Photo: Leah Stein Dance Company
  • Reviews

Sites of Potential

Thomas Choinacky

Leah Stein has created a space for potential— allowing audience members to fashion their own associations with this movement

Photo: Magda
  • Reviews

Shine Bright Like a Magda

Mira Treatman

Declaring it was time to do what she was trained not to do in her theater and dance education.

Photo: Johanna Austin
  • Reviews

Say Their Names and Other Acts of Transformation

Thomas Choinacky

Kill Move Paradise is a powerful convening of black men’s voices.

Photo: Poison Apple Initiative
  • Reviews

Stuck in Purgatory

Whitney Weinstein

Bastion Carboni's A Vacation is a precipitous plunge into the vlogosphere.

Photo: TeddyFatscher
  • Reviews

Stop Objectifying Women

Thomas Choinacky

"Unhinged" made clear how far we have to go to redirect the still-prevalent male gaze.