Reviews

Photo: Veronique Ellena

Love-ish Letters: Write Back Atcha and Jerome Bel’s Gala

Julius Ferraro

Baby Bowie and all the feels at Bel's Gala with Write Back Atcha.

Photo: Carlos Avendaño

SaltSoul: Loss and Mourning, part 1

Toni Shapiro-Phim

Guest Writer Toni Shapiro-Phim reflects on Jungwoong Kim's SaltSoul.

Photo: Chris Cameron

The Ruthless Beauty of Masculinity

Julius Ferraro

Charming, magnetic, grotesque, doomed.

Photo: Agathe Poupeney

Faustin Linyekula, A Contemporary Dance Griot

Jonathan Stein

Longing and solitude in the Congo

Photo: Suncan Stone

Rhizomas: A Lesson in Contrast

Gregory King

King talks butoh and breakin' inside of the New Central Baptist Church.

Photo: Rhiannon Smith

Control and Self-Curation

Julius Ferraro

Here, that impulse of self-projection is indulged, but we lose control, the ability to curate.

Photo: Thomas Weir

Think Before You Speak

Rhonda Moore

femme.collective highlights works by nine choreographers around a common theme.

Photo: Will Drinker

Every Woman

Carolyn Merritt

Half off, your shirt smothers your head...and you are faceless, everywoman, and an uncanny double of Abu Ghraib prisoners.

Image: Ryne Fuller

Drill, Dash, Dream

Julius Ferraro

We start to see it for what it is: an exhausting relay, an impossible attempt to keep up.

Photographer Unknown

Power from the Past

Lisa Kraus

A work like Mary Wigman’s Hexentanz provides a jolting reminder of the power and intensity of early modern dance.