Reviews

Photo: Maxwell Van Hook

Dead Bodies All Around Me: Unarmed

Gregory King

Before he was a fallen black man, he was an unarmed black man. Now he lies as a shell of his former self.

Photo: Knut Bry

Write Up to the Edge: Fringe at The Border

Kirsten Kaschock

A Fringe audience questions binaries--how borders circumscribe and overlap and sometimes carve out small, human spaces.

Photo: Knut Bry

From Here to There and in Between

Whitney Weinstein

Their deeply embedded heritage bound them together as they stepped towards an unforeseen fate.

Photo: Kate Raines

Railroaded by Underground Railroad Game

Gregory King

Underground Railroad Game gets a B for attempting to dissect the construct of race and shed light on a tainted history.

Photo: Samantha Orr

The Traumas of Careful Injuries

Whitney Weinstein

I found we were all able to generate meaning from the performance, yet each interpretation was vastly different.

Photo: Craig T. Matthew

Simplicity in Space – Repeat!

Gregory King

Sometimes repetition causes predictability and loss of interest...

Photo: Knut Bry

Border Crossings

Lisa Kraus

The duet form in dance, done with new twists by Norwegians.

Photo: Kailei Picciotti

Atypical Beauty

Whitney Weinstein

By the conclusion of the evening, Fatale had replayed, in microcosm, her journey.

Photo: Phile Deprez

How We Write When We Write About Dance: Ink on the Fringe

Kirsten Kaschock

Audience members gathered with old and new members of thINKingDANCE to pen a crowd response to Still Standing You.

Photo: Phile Deprez

The live-action version of every Judd Apatow movie: Still Standing You

Annie Wilson

I want to tell people to stop laughing, you’re only encouraging them.