Reviews

Photo: Anne Van Aerschot
  • Reviews

Oh and Anne Teresa

Kat J. Sullivan

Boris Charmatz strides out and then you, Anne Teresa.

Photo: Christopher Duggan
  • Reviews

Dancing Detours

Jay Oatis

Los Angeles is infamous for its traffic. The evening of work that LA-based company BODYTRAFFIC presented at the Prince Theater felt congested.

Photo: lds.org
  • Reviews

On Not Bowing

Published in collaboration with culturebot.org, John Hoobyar writes about the expectation of bowing or not after the show.

Photo: Ruven Afanador
  • Reviews

How to Dance Bach

Lynn Matluck Brooks

The ridiculous and the sublime in Twyla Tharp: 50th Anniversary Tour and De Keersmaeker's Partita 2.

Photo: Gene Pittman
  • Reviews

Trisha Brown Revisited

Rhonda Moore

The early '70s pieces remain stridently current, thanks to the timeless quality of Brown’s work.

Photo: Mike Hurwitz
  • Reviews

Firestorm

Sara Graybeal

Tablao Philly--an experience of unbridled crescendo, a night that accelerated in vigor, skill, and intensity until the end.

Photo: Herman Sorgeloos
  • Reviews

Architectural Tuning

Megan Bridge

Partita 2 asks us not just to note the passing of time, but to participate kinesthetically in time’s ticking.

Photo: Jae Man Joo
  • Reviews

Intricate Inconsistencies

Whitney Weinstein

Complexions Contemporary Ballet's athleticism and movement skills went overlooked by none.

Photo: ISOP
  • Reviews

NowHere/NoWhere: Two Views

Zornitsa Stoyanova

tD writers Lynn Brooks and Zornitsa Stoyanova intertwine their takes on performances at the NowHere Festival of Free Improvisation

Photo: Natalia Kabanow
  • Reviews

Chopin’s Sickly Hands

Julius Ferraro

Chopin Without Piano uses music in its dramatic application to reveal the way cultural revolutionaries are treated as cultural capital by appropriative governments.