These dancers seemed completely comfortable with, and yet engrossed in, their roles; I wanted to... figure out their relationships, to try to guess their next moves.
Who is up there now? Why are they? What genre is this? You have twelve minutes or less to make me care.
Ellen Chenoweth and Lisa Kraus reflect and dialogue on this year’s Association of Arts Presenters Conference (APAP) in New York City.
Freelance photographer Ted Lieverman shares beyond-performance photos of Brian Sanders' JUNK taken during the past three years.
Chremos is in full control of the psychedelic fire-on-cave-walls impact of the interplay of hands' colored lights and disco mirrors.
Rennie Harris and Michael Sakamoto create a cypher of cross-cultural connectedness.
Balletx's Fall Series delivered strong dancing and choreography from three disparate choreographers.
TD writers and march participants Ellen Chenoweth and Gregory King respond to the Dancing For Justice event on December 13th, 2014.
How hundreds of mousetraps ended up in a dance class is related to the dialogue between performance art and performing arts currently underway.
The dancers, virtuosic and athletic, execute grand leaps, surprising shifts of weight, and daring moments of partnering.