These two powerful, petite women dance face to face, side by side, back to back, and, at times, as one another’s shadows.
Three moments during Scratch Night stood out in their intensity or departure from predictable performance customs.
"I heard subtleties in the footwork that shoes would have obscured making this piece more about listening and less about sound."
The invisible wall between viewer and performer is broken; the viewer given an active voice.
Perfect confection for the lover's holiday, performed with love in the mind and body--coy, seductive and intimately close.
TD writers are polled for quick takes on Group Motion’s performance of "THEN" by Susan Rethorst.
The dancing of the Antonio Gades Company punctuates Opera Philadelphia's "Ainadamar" with dynamic range.
Luna had a way of making the showy encounters with objects approach poetry, particularly in “The Grid,” a solo with what appeared to be a discarded window frame...
We live in a world that is both our living room and our soapbox. These two works--Allege and Singer/Songwriter--engage in the constant conversation between public and private.
It stands to reason that pairing grandmothers and creative types would result in a match made in heaven.