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FringeArts

Photo: Johanna Austin
  • Reviews

Jérôme Bel

Emilee Lord

Performance is the most beautiful thing in the world.

Photo: Caitlin Scholl
  • Interviews

Dance Like a Mother

Mira Treatman

Two working-parent-artists premiere a collaboration years in the making.

Photo: Maria Baranova
  • Reviews

Kyle Marshall’s Film “Stellar” Takes Us On A Voyage

Lauren Putty White

Dancers blend like chameleons with the space, moving along the ground, against the wall, and between stage lights.

Photo: Brandon Wyche
  • Reviews

Klassic Contemporary Ballet Company’s “Return to Müvment” Brings a Return to Joy

Lauren Putty White

Dancers fill the stage, inviting me into their realm through silent narrative.

Photo: Kate Raines
  • Reviews

Death Is Kinda Busy These Days

Nicole Bindler

Death was able to somehow remind me of everyone I’ve ever lost, through her simple gestures and dream-like presence.

Photo: Paola Evelina
  • Reviews

What’s So Funny?

Kat J. Sullivan

“Un Poyo Rojo”: a different kind of locker room talk.

Photo: Johanna Austin
  • Reviews

Honestly Sincere

Miryam Coppersmith

Sincerity is a slippery thing to script.

Photo: Johanna Austin
  • Culturebot Partnership

A Song, a Dance, and a Coat Hanger

Mira Treatman

The theatre a uterus, the actors fetuses.

Photo: Clint Takeda
  • Reviews

Scratch Night Gets A Sonic Boost

Jenny Kessler

Scratch Night: a quality experience, with an audience breathlessly uncertain about what's next.

  • Reviews

The F Word: Movements, Music, and Memory

Preeti Pathak

A social-justice movement can only succeed if it constantly recalls its roots and pays homage to those who paved the way.