Upping the ante on dance coverage and conversation

thINKingDANCE Archive 2016

The First Noel … And I Never Missed The Sugar Plum Fairy!Gregory KingJanuary 08, 2016
Shadows, Light, and InspirationRoxanne LystJanuary 09, 2016
O’Connor in The KitchenRhonda MooreJanuary 14, 2016
Being in Lasso BellyJenna HortonJanuary 17, 2016
Philosophy and Choreography Together in SFGuest WriterJanuary 21, 2016
The House of BJMKirsten KaschockJanuary 24, 2016
Choking on HopeJulius FerraroJanuary 29, 2016
Moving ObjectsMeredith BoveFebruary 02, 2016
Elisa Monte Passes the Baton to Tiffany Rea-FisherGregory KingFebruary 05, 2016
What’s New: Pennsylvania Ballet’s “Strength and Longing”Lynn Matluck BrooksFebruary 07, 2016
Our Heroic, Dying BodiesMeredith BoveFebruary 10, 2016
Dancing Duets: Mixing Styles, Stories and ApproachesMegan SternFebruary 13, 2016
“In the end it comes down to community” - Gus Gscheidle and his 1fiftyone gallery + art spaceZornitsa StoyanovaFebruary 17, 2016
cherchez la femmeSara GraybealFebruary 21, 2016
Looking the Elephant in the Eye: Jaamil Olawale Kosoko’s Black Male Revisited: Songs for the Dark DivineRhonda MooreFebruary 22, 2016
My body, and other questions I had for Annie WilsonKat J. SullivanFebruary 25, 2016
Rituals, Poetry and Performance: CA Conrad Lauren SamblanetFebruary 25, 2016
Teasing Time With Precision: Nora Gibson's Contemporary BalletZornitsa StoyanovaFebruary 29, 2016
The Evolution of SuccessWhitney WeinsteinMarch 02, 2016
Don Quixote: Digging the DetailsLynn Matluck BrooksMarch 07, 2016
Dance Theatre of Harlem: Still a Beacon of Hope! Gregory KingMarch 09, 2016
Archiving Occupation, Identity and ResistanceNicole BindlerMarch 10, 2016
Elisa Monte Dance: To Another Thirty-Five Years!Gregory KingMarch 11, 2016
Taking Flight with LimónLynn Matluck BrooksMarch 14, 2016
Whole: Without Any Parts MissingKarl SurkanMarch 15, 2016
Off the Wall Processions: Improvisation at PAFAJonathan SteinMarch 17, 2016
Shared Topographies, Individual PathsMeredith BoveMarch 31, 2016
An Astronauts’ Rapacious NightPatricia GrahamApril 11, 2016
What Did I Just See? Show No Show as Meta-PerformanceKarl SurkanApril 11, 2016
Seán Curran Company: A Well-Delivered Package of Post-ModernismGregory KingApril 12, 2016
Diavolo’s Architecture in Motion: Dance With Some Extras! Gregory KingApril 18, 2016
“Quite Visceral and Quite Unusual”: Adrian Heathfield on “Ally”Ellen ChenowethApril 19, 2016
Poem for a TreeEllen ChenowethApril 19, 2016
Sports, Monsters, and the Unprecedented EventJulius FerraroApril 23, 2016
EmblembodyKat J. SullivanApril 27, 2016
Free Advice and an Interview with Farah SalehNicole BindlerApril 27, 2016
David Brick, Quixotic Ringmaster of a Quiet CircusJenna HortonApril 27, 2016
BalletX: A Ten-Year Retrospective of Technique and TheatricsGregory KingMay 02, 2016
They Play, They Dance, They Improv!Lynn Matluck BrooksMay 04, 2016
Opaque to Transparent: Revealing the Process in Works by Wilson, Linyekula, and JonesLisa KrausMay 07, 2016
The Madonna ResilientKat J. SullivanMay 13, 2016
The Ballad of Trayvon Martin: Diary of a Black ManGregory KingMay 15, 2016
Action is Primary is Not a Ballet Jenna HortonMay 19, 2016
Taking Off from Anna Halprin’s Dance Deck: Ally at the Fabric Workshop and MuseumJonathan SteinMay 22, 2016
They, Themself, and Schmerm at Abrons Art CenterGuest WriterMay 23, 2016
Virtuosity, Expression, and Story: Axis Dance Company’s National TourMegan SternMay 23, 2016
The Container and the ContainedAnna DrozdowskiMay 24, 2016
Dropping Into EverythingMegan SternJune 01, 2016
tD Interviews Germaine Ingram on Her Yoruba Diaspora ProjectJonathan SteinJune 06, 2016
Queer Artists of Color: Why Their Works MatterGregory KingJune 09, 2016
I love her: Chelsea & Magda Lauren SamblanetJune 12, 2016
Making Matters - Uncovering Process at the Vermont Performance LabMeredith BoveJune 13, 2016
The Pleasing, Profound, and Peculiarity of 4pmKat J. SullivanJune 14, 2016
Life Lines: Ally at the Fabric Workshop and MuseumCarolyn MerrittJune 15, 2016
Real Live People from Near and FarZornitsa StoyanovaJune 16, 2016
Dance as Medium: a turning of the bones Scott RodrigueJune 17, 2016
Slain by BeautyMegan BridgeJune 19, 2016
Arrows at Racism in Dance and Beyond: Brenda Dixon Gottschild Lynn Matluck BrooksJune 25, 2016
Dance as Palimpsest: Petronio Unplugged Lauren SamblanetJuly 09, 2016
Classical Theatre of Harlem and Elisa Monte Dance: Creating Spaces and Collaborations in MacbethGregory KingJuly 10, 2016
Skyler’s Then and NowRhonda MooreJuly 14, 2016
In Honor of Black Girl Magic: A Curated Salon at The Colored Girls Museum Festival Janna MeiringJuly 17, 2016
Precarious River: Beck Epoch on the SchuylkillLynn Matluck BrooksJuly 22, 2016
Montpellier Danse Festival: Postcards from FranceEllen ChenowethAugust 03, 2016
Cliveden, AnimatedLisa KrausAugust 10, 2016
The Radical Linguistics of Mac WellmanJulius FerraroAugust 21, 2016
Arts Writing Bootcamp: The National Critics InstituteCarolyn MerrittAugust 21, 2016
De-mystifying the Birthing Body: Zornitsa StoyanovaJulius FerraroAugust 27, 2016
Challenged by Boris CharmatzRhonda MooreSeptember 05, 2016
A Newcomer's Guide to Watching Dance. You're already an expert. Yes. Really. You.Carolyn MerrittSeptember 05, 2016
Starting from ScratchLisa KrausSeptember 05, 2016
Hot Ballet in Cool Mt. GretnaLynn Matluck BrooksSeptember 07, 2016
nora chipaumire's Brave and Daring PortraitJanna MeiringSeptember 08, 2016
The Gustatory Play: FeedJulius FerraroSeptember 10, 2016
Embodied Social Politics and Group IdentityScott RodrigueSeptember 10, 2016
Levée des Conflits: Anything but NeutralJanna MeiringSeptember 10, 2016
Raphstravaganza!Lisa KrausSeptember 11, 2016
Congregating in the ChaosWhitney WeinsteinSeptember 11, 2016
Hell hath no fury like a pedestrian scornedKat J. SullivanSeptember 11, 2016
In Conversation with Nichole CanusoBeau HancockSeptember 12, 2016
Almanac Dance Circus Theater Catapults Greek Myths into Science FictionJonathan SteinSeptember 12, 2016
Melodies of the PastWhitney WeinsteinSeptember 12, 2016
The Limits of Technique and TechnologyScott RodrigueSeptember 14, 2016
Jerome Bel's Utopia in a BoxNicole BindlerSeptember 14, 2016
Life After Charmatz’ Levée des ConflitsRhonda MooreSeptember 15, 2016
Through the Café Glass: Leah Stein’s PortalLynn Matluck BrooksSeptember 16, 2016
Cracking Up In Chaos: PandaemoniumLynn Matluck BrooksSeptember 16, 2016
Sliding Into the LightWhitney WeinsteinSeptember 17, 2016
Contact and Chaos: duende's music and dance quartetJulius FerraroSeptember 18, 2016
Trapped BetweenKirsten KaschockSeptember 18, 2016
Fast, Poetic, ElectromagneticEllen ChenowethSeptember 18, 2016
Power from the PastLisa KrausSeptember 18, 2016
Drill, Dash, DreamJulius FerraroSeptember 20, 2016
Every WomanCarolyn MerrittSeptember 20, 2016
A Walk With a Few StumblesJanna MeiringSeptember 21, 2016
Think Before You SpeakRhonda MooreSeptember 22, 2016
The Bottomless Cup: Ella Cuda & Whitney Casal in Coffee?Rhonda MooreSeptember 24, 2016
Control and Self-CurationJulius FerraroSeptember 25, 2016
Rhizomas: A Lesson in Contrast Gregory KingSeptember 26, 2016
Winning DeathWhitney WeinsteinSeptember 26, 2016
Empty VesselsWhitney WeinsteinSeptember 26, 2016
Faustin Linyekula, A Contemporary Dance GriotJonathan SteinSeptember 28, 2016
The Ruthless Beauty of MasculinityJulius FerraroSeptember 30, 2016
SaltSoul: Loss and Mourning, part 1Toni Shapiro-PhimOctober 01, 2016
Love-ish Letters: Write Back Atcha and Jerome Bel’s GalaJulius FerraroOctober 01, 2016
Testament and ForceSara GraybealOctober 01, 2016
SaltSoul: Loss and Mourning, part 2Toni Shapiro-PhimOctober 02, 2016
The Naked Truth Whitney WeinsteinOctober 04, 2016
habitusLisa KrausOctober 06, 2016
The Shape of Performance to ComeAndrew Sargus KleinOctober 10, 2016
Bill T. Jones/Arnie Zane Company: Dancing Oral HistoriesGregory KingOctober 16, 2016
15 Years Remix and ReduxKirsten KaschockOctober 17, 2016
A Philadelphia Take on the BessiesEllen ChenowethOctober 23, 2016
Behind the Screen, LivenessMeredith BoveOctober 26, 2016
From the NextMove Studio: Elasticity in the RUBBERBAND Method Kalila Kingsford SmithOctober 26, 2016
Collaborative Public InventionJulius FerraroOctober 27, 2016
Yvonne, the Giant; Yvonne, So SmallKat J. SullivanOctober 27, 2016
Everything You've Come From and Everywhere You'll GoSara GraybealOctober 27, 2016
Koresh: In “Process,” Under ExaminationKalila Kingsford SmithOctober 28, 2016
Good Women Dancers Give LifeEllen ChenowethNovember 05, 2016
Fading Dreams in PA Ballet’s CinderellaWhitney WeinsteinNovember 08, 2016
Erotic Divine, Born of Structural SpaceJenna HortonNovember 09, 2016
SaltSoul: Interrogating Loss and Large Scale TragediesZornitsa StoyanovaNovember 15, 2016
What is Revolutionary about PA Ballet’s Revolution?Kalila Kingsford SmithNovember 19, 2016
Eyes on Guys at CINARSMegan BridgeNovember 25, 2016
How is a Ballet Like a Plane Explosion? Jenna HortonNovember 26, 2016
THANK YOU to Our Hatchfund Campaign Donors! Megan BridgeNovember 28, 2016
Empowered Responses to Occupation from Palestinian Contemporary DanceJonathan SteinNovember 29, 2016
Sharing and holding this space with youAndrew Sargus KleinNovember 29, 2016
Jean & Terry: Venturing Out of the OrdinaryJanna MeiringDecember 01, 2016
Embodying Diasporic HistoryLynn Matluck BrooksDecember 03, 2016
Grief, Ritual, and Active RejectionJulius FerraroDecember 05, 2016
Circumstances for Delight and DiscoveryEllen ChenowethDecember 07, 2016
The Fleecing: A Fantastical Escape Collides With DarknessMegan SternDecember 15, 2016
Dear Bára,Megan BridgeDecember 20, 2016
The Power of the PrinceLily KindDecember 22, 2016
A Relaxed Nutcracker Lisa KrausDecember 28, 2016
Time Slips AwayJulius FerraroDecember 30, 2016

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