| The First Noel … And I Never Missed The Sugar Plum Fairy! | Gregory King | January 08, 2016 |
| Shadows, Light, and Inspiration | Roxanne Lyst | January 09, 2016 |
| O’Connor in The Kitchen | Rhonda Moore | January 14, 2016 |
| Being in Lasso Belly | Jenna Horton | January 17, 2016 |
| Philosophy and Choreography Together in SF | Guest Writer | January 21, 2016 |
| The House of BJM | Kirsten Kaschock | January 24, 2016 |
| Choking on Hope | Julius Ferraro | January 29, 2016 |
| Moving Objects | Meredith Bove | February 02, 2016 |
| Elisa Monte Passes the Baton to Tiffany Rea-Fisher | Gregory King | February 05, 2016 |
| What’s New: Pennsylvania Ballet’s “Strength and Longing” | Lynn Matluck Brooks | February 07, 2016 |
| Our Heroic, Dying Bodies | Meredith Bove | February 10, 2016 |
| Dancing Duets: Mixing Styles, Stories and Approaches | Megan Stern | February 13, 2016 |
| “In the end it comes down to community” - Gus Gscheidle and his 1fiftyone gallery + art space | Zornitsa Stoyanova | February 17, 2016 |
| cherchez la femme | Sara Graybeal | February 21, 2016 |
| Looking the Elephant in the Eye: Jaamil Olawale Kosoko’s Black Male Revisited: Songs for the Dark Divine | Rhonda Moore | February 22, 2016 |
| My body, and other questions I had for Annie Wilson | Kat J. Sullivan | February 25, 2016 |
| Rituals, Poetry and Performance: CA Conrad | Lauren Samblanet | February 25, 2016 |
| Teasing Time With Precision: Nora Gibson's Contemporary Ballet | Zornitsa Stoyanova | February 29, 2016 |
| The Evolution of Success | Whitney Weinstein | March 02, 2016 |
| Don Quixote: Digging the Details | Lynn Matluck Brooks | March 07, 2016 |
| Dance Theatre of Harlem: Still a Beacon of Hope! | Gregory King | March 09, 2016 |
| Archiving Occupation, Identity and Resistance | Nicole Bindler | March 10, 2016 |
| Elisa Monte Dance: To Another Thirty-Five Years! | Gregory King | March 11, 2016 |
| Taking Flight with Limón | Lynn Matluck Brooks | March 14, 2016 |
| Whole: Without Any Parts Missing | Karl Surkan | March 15, 2016 |
| Off the Wall Processions: Improvisation at PAFA | Jonathan Stein | March 17, 2016 |
| Shared Topographies, Individual Paths | Meredith Bove | March 31, 2016 |
| An Astronauts’ Rapacious Night | Patricia Graham | April 11, 2016 |
| What Did I Just See? Show No Show as Meta-Performance | Karl Surkan | April 11, 2016 |
| Seán Curran Company: A Well-Delivered Package of Post-Modernism | Gregory King | April 12, 2016 |
| Diavolo’s Architecture in Motion: Dance With Some Extras! | Gregory King | April 18, 2016 |
| “Quite Visceral and Quite Unusual”: Adrian Heathfield on “Ally” | Ellen Chenoweth | April 19, 2016 |
| Poem for a Tree | Ellen Chenoweth | April 19, 2016 |
| Sports, Monsters, and the Unprecedented Event | Julius Ferraro | April 23, 2016 |
| Emblembody | Kat J. Sullivan | April 27, 2016 |
| Free Advice and an Interview with Farah Saleh | Nicole Bindler | April 27, 2016 |
| David Brick, Quixotic Ringmaster of a Quiet Circus | Jenna Horton | April 27, 2016 |
| BalletX: A Ten-Year Retrospective of Technique and Theatrics | Gregory King | May 02, 2016 |
| They Play, They Dance, They Improv! | Lynn Matluck Brooks | May 04, 2016 |
| Opaque to Transparent: Revealing the Process in Works by Wilson, Linyekula, and Jones | Lisa Kraus | May 07, 2016 |
| The Madonna Resilient | Kat J. Sullivan | May 13, 2016 |
| The Ballad of Trayvon Martin: Diary of a Black Man | Gregory King | May 15, 2016 |
| Action is Primary is Not a Ballet | Jenna Horton | May 19, 2016 |
| Taking Off from Anna Halprin’s Dance Deck: Ally at the Fabric Workshop and Museum | Jonathan Stein | May 22, 2016 |
| They, Themself, and Schmerm at Abrons Art Center | Guest Writer | May 23, 2016 |
| Virtuosity, Expression, and Story: Axis Dance Company’s National Tour | Megan Stern | May 23, 2016 |
| The Container and the Contained | Anna Drozdowski | May 24, 2016 |
| Dropping Into Everything | Megan Stern | June 01, 2016 |
| tD Interviews Germaine Ingram on Her Yoruba Diaspora Project | Jonathan Stein | June 06, 2016 |
| Queer Artists of Color: Why Their Works Matter | Gregory King | June 09, 2016 |
| I love her: Chelsea & Magda | Lauren Samblanet | June 12, 2016 |
| Making Matters - Uncovering Process at the Vermont Performance Lab | Meredith Bove | June 13, 2016 |
| The Pleasing, Profound, and Peculiarity of 4pm | Kat J. Sullivan | June 14, 2016 |
| Life Lines: Ally at the Fabric Workshop and Museum | Carolyn Merritt | June 15, 2016 |
| Real Live People from Near and Far | Zornitsa Stoyanova | June 16, 2016 |
| Dance as Medium: a turning of the bones | Scott Rodrigue | June 17, 2016 |
| Slain by Beauty | Megan Bridge | June 19, 2016 |
| Arrows at Racism in Dance and Beyond: Brenda Dixon Gottschild | Lynn Matluck Brooks | June 25, 2016 |
| Dance as Palimpsest: Petronio Unplugged | Lauren Samblanet | July 09, 2016 |
| Classical Theatre of Harlem and Elisa Monte Dance: Creating Spaces and Collaborations in Macbeth | Gregory King | July 10, 2016 |
| Skyler’s Then and Now | Rhonda Moore | July 14, 2016 |
| In Honor of Black Girl Magic: A Curated Salon at The Colored Girls Museum Festival | Janna Meiring | July 17, 2016 |
| Precarious River: Beck Epoch on the Schuylkill | Lynn Matluck Brooks | July 22, 2016 |
| Montpellier Danse Festival: Postcards from France | Ellen Chenoweth | August 03, 2016 |
| Cliveden, Animated | Lisa Kraus | August 10, 2016 |
| The Radical Linguistics of Mac Wellman | Julius Ferraro | August 21, 2016 |
| Arts Writing Bootcamp: The National Critics Institute | Carolyn Merritt | August 21, 2016 |
| De-mystifying the Birthing Body: Zornitsa Stoyanova | Julius Ferraro | August 27, 2016 |
| Challenged by Boris Charmatz | Rhonda Moore | September 05, 2016 |
| A Newcomer's Guide to Watching Dance. You're already an expert. Yes. Really. You. | Carolyn Merritt | September 05, 2016 |
| Starting from Scratch | Lisa Kraus | September 05, 2016 |
| Hot Ballet in Cool Mt. Gretna | Lynn Matluck Brooks | September 07, 2016 |
| nora chipaumire's Brave and Daring Portrait | Janna Meiring | September 08, 2016 |
| The Gustatory Play: Feed | Julius Ferraro | September 10, 2016 |
| Embodied Social Politics and Group Identity | Scott Rodrigue | September 10, 2016 |
| Levée des Conflits: Anything but Neutral | Janna Meiring | September 10, 2016 |
| Raphstravaganza! | Lisa Kraus | September 11, 2016 |
| Congregating in the Chaos | Whitney Weinstein | September 11, 2016 |
| Hell hath no fury like a pedestrian scorned | Kat J. Sullivan | September 11, 2016 |
| In Conversation with Nichole Canuso | Beau Hancock | September 12, 2016 |
| Almanac Dance Circus Theater Catapults Greek Myths into Science Fiction | Jonathan Stein | September 12, 2016 |
| Melodies of the Past | Whitney Weinstein | September 12, 2016 |
| The Limits of Technique and Technology | Scott Rodrigue | September 14, 2016 |
| Jerome Bel's Utopia in a Box | Nicole Bindler | September 14, 2016 |
| Life After Charmatz’ Levée des Conflits | Rhonda Moore | September 15, 2016 |
| Through the Café Glass: Leah Stein’s Portal | Lynn Matluck Brooks | September 16, 2016 |
| Cracking Up In Chaos: Pandaemonium | Lynn Matluck Brooks | September 16, 2016 |
| Sliding Into the Light | Whitney Weinstein | September 17, 2016 |
| Contact and Chaos: duende's music and dance quartet | Julius Ferraro | September 18, 2016 |
| Trapped Between | Kirsten Kaschock | September 18, 2016 |
| Fast, Poetic, Electromagnetic | Ellen Chenoweth | September 18, 2016 |
| Power from the Past | Lisa Kraus | September 18, 2016 |
| Drill, Dash, Dream | Julius Ferraro | September 20, 2016 |
| Every Woman | Carolyn Merritt | September 20, 2016 |
| A Walk With a Few Stumbles | Janna Meiring | September 21, 2016 |
| Think Before You Speak | Rhonda Moore | September 22, 2016 |
| The Bottomless Cup: Ella Cuda & Whitney Casal in Coffee? | Rhonda Moore | September 24, 2016 |
| Control and Self-Curation | Julius Ferraro | September 25, 2016 |
| Rhizomas: A Lesson in Contrast | Gregory King | September 26, 2016 |
| Winning Death | Whitney Weinstein | September 26, 2016 |
| Empty Vessels | Whitney Weinstein | September 26, 2016 |
| Faustin Linyekula, A Contemporary Dance Griot | Jonathan Stein | September 28, 2016 |
| The Ruthless Beauty of Masculinity | Julius Ferraro | September 30, 2016 |
| SaltSoul: Loss and Mourning, part 1 | Toni Shapiro-Phim | October 01, 2016 |
| Love-ish Letters: Write Back Atcha and Jerome Bel’s Gala | Julius Ferraro | October 01, 2016 |
| Testament and Force | Sara Graybeal | October 01, 2016 |
| SaltSoul: Loss and Mourning, part 2 | Toni Shapiro-Phim | October 02, 2016 |
| The Naked Truth | Whitney Weinstein | October 04, 2016 |
| habitus | Lisa Kraus | October 06, 2016 |
| The Shape of Performance to Come | Andrew Sargus Klein | October 10, 2016 |
| Bill T. Jones/Arnie Zane Company: Dancing Oral Histories | Gregory King | October 16, 2016 |
| 15 Years Remix and Redux | Kirsten Kaschock | October 17, 2016 |
| A Philadelphia Take on the Bessies | Ellen Chenoweth | October 23, 2016 |
| Behind the Screen, Liveness | Meredith Bove | October 26, 2016 |
| From the NextMove Studio: Elasticity in the RUBBERBAND Method | Kalila Kingsford Smith | October 26, 2016 |
| Collaborative Public Invention | Julius Ferraro | October 27, 2016 |
| Yvonne, the Giant; Yvonne, So Small | Kat J. Sullivan | October 27, 2016 |
| Everything You've Come From and Everywhere You'll Go | Sara Graybeal | October 27, 2016 |
| Koresh: In “Process,” Under Examination | Kalila Kingsford Smith | October 28, 2016 |
| Good Women Dancers Give Life | Ellen Chenoweth | November 05, 2016 |
| Fading Dreams in PA Ballet’s Cinderella | Whitney Weinstein | November 08, 2016 |
| Erotic Divine, Born of Structural Space | Jenna Horton | November 09, 2016 |
| SaltSoul: Interrogating Loss and Large Scale Tragedies | Zornitsa Stoyanova | November 15, 2016 |
| What is Revolutionary about PA Ballet’s Revolution? | Kalila Kingsford Smith | November 19, 2016 |
| Eyes on Guys at CINARS | Megan Bridge | November 25, 2016 |
| How is a Ballet Like a Plane Explosion? | Jenna Horton | November 26, 2016 |
| THANK YOU to Our Hatchfund Campaign Donors! | Megan Bridge | November 28, 2016 |
| Empowered Responses to Occupation from Palestinian Contemporary Dance | Jonathan Stein | November 29, 2016 |
| Sharing and holding this space with you | Andrew Sargus Klein | November 29, 2016 |
| Jean & Terry: Venturing Out of the Ordinary | Janna Meiring | December 01, 2016 |
| Embodying Diasporic History | Lynn Matluck Brooks | December 03, 2016 |
| Grief, Ritual, and Active Rejection | Julius Ferraro | December 05, 2016 |
| Circumstances for Delight and Discovery | Ellen Chenoweth | December 07, 2016 |
| The Fleecing: A Fantastical Escape Collides With Darkness | Megan Stern | December 15, 2016 |
| Dear Bára, | Megan Bridge | December 20, 2016 |
| The Power of the Prince | Lily Kind | December 22, 2016 |
| A Relaxed Nutcracker | Lisa Kraus | December 28, 2016 |
| Time Slips Away | Julius Ferraro | December 30, 2016 |