| Open Call for Writers! | Julius Ferraro | January 12, 2018 |
| Electric Okwui | Eleanor Goudie-Averill | January 17, 2018 |
| The Book is Always Better | Thomas Choinacky | January 21, 2018 |
| Arthur Mitchell at Columbia | Lynn Matluck Brooks | January 29, 2018 |
| Christine Cox on A New Home for BalletX | Carolyn Merritt | February 01, 2018 |
| Tormented Genius: Jerome Robbins | Lynn Matluck Brooks | February 04, 2018 |
| And Yet We're Still Here | Julius Ferraro | February 08, 2018 |
| "...not a fucking swan..." | Zornitsa Stoyanova | February 12, 2018 |
| Mark Morris Magic Returns to Philadelphia | Jonathan Stein | February 13, 2018 |
| Postcards from My Selves in Budapest | Megan Mazarick | February 18, 2018 |
| Is This a Gender Equality Casualty? | Kalila Kingsford Smith | February 25, 2018 |
| One After Another | Eleanor Goudie-Averill | March 02, 2018 |
| tD Welcomes Our NEW WRITERS! | Julius Ferraro | March 04, 2018 |
| Narrow Scope, Big Energy: Baltimore Dance Invitational | Andrew Sargus Klein | March 04, 2018 |
| The Geography Trilogy Screening | Carolyn Merritt | March 09, 2018 |
| The Core and the Corps of Swan Lake | Lynn Matluck Brooks | March 11, 2018 |
| On the Making of Icons | Lynn Matluck Brooks | March 21, 2018 |
| Very Brutal and Very Soft | Julius Ferraro | March 23, 2018 |
| Petronio’s Bloodline | Eleanor Goudie-Averill | March 27, 2018 |
| Deciphering Roots | Amelia Rose Estrada | March 28, 2018 |
| Didik in Philadelphia | Toni Shapiro-Phim | April 01, 2018 |
| Citizen Displaced | Andrew Sargus Klein | April 02, 2018 |
| Joy in the Journey | Patricia Graham | April 06, 2018 |
| Interview with the Fear Snuggler | Miryam Coppersmith | April 11, 2018 |
| Trapped in DanzAbierta's Malson | Jenna Horton | April 15, 2018 |
| When activism is involuntary: a conversation between Deanna Haggag and Bill T. Jones | Kat J. Sullivan | April 15, 2018 |
| thINKingDANCE partners with Theatre Philadelphia to expand theater coverage in Philadelphia | Julius Ferraro | April 23, 2018 |
| Allies, icons, and inter-generational collaboration | Andrew Sargus Klein | April 24, 2018 |
| Lessons from the Backyard | Beau Hancock | April 25, 2018 |
| Healing and Liberation at the Kimmel Center: Philadanco's Success Stories | Mohan Bell | April 25, 2018 |
| ¡Bienvenidos Todos! Welcome everyone! | Barbora P?íhodová | April 26, 2018 |
| Affirming Black Dance … Unapologetically: An Interview with Kevin Iega Jeff | Gregory King | April 26, 2018 |
| Teaming Up: tD and Mighty Writers | Lynn Matluck Brooks | April 28, 2018 |
| How are you alone? What brings you together? | Andrew Sargus Klein | May 02, 2018 |
| Searching for a Spark | Amelia Rose Estrada | May 03, 2018 |
| The Work that Dance Writing Does: Workshops with Sherril Dodds and Carolyn Merritt | Lynn Matluck Brooks | May 04, 2018 |
| Down With The Regime | Mira Treatman | May 08, 2018 |
| Bulgaria on the map of European Dance – a personal journey in cultural dissociation | Zornitsa Stoyanova | May 09, 2018 |
| Sunset Dances | Maddie Hopfield | May 09, 2018 |
| Intimate Spaces | Mohan Bell | May 10, 2018 |
| Swimming Toward Meaning | Maddie Hopfield | May 15, 2018 |
| The Gridlock of HUMAN | Miryam Coppersmith | May 16, 2018 |
| Opulence in Times of Change | Mira Treatman | May 17, 2018 |
| Visible and Invisible Power | Jonathan Stein | May 22, 2018 |
| Moving Bodies, Embodied Walls | Andrew Sargus Klein | May 24, 2018 |
| Belonging | Carolyn Merritt | May 26, 2018 |
| The Woman’s Voice, Un-Silenced | Kalila Kingsford Smith | June 06, 2018 |
| Art World Interloper: Elizabeth Streb in Her Own Words | Mira Treatman | June 10, 2018 |
| Maria Marten: Melodrama Makes a Comeback | Lynn Matluck Brooks | June 18, 2018 |
| Between the Sacred, Profane, and Mundane | Kat J. Sullivan | June 18, 2018 |
| Taylor Mac: Distilling the Past to Imagine a Future | Maddie Hopfield | June 19, 2018 |
| A Life Redrawn | Andrew Sargus Klein | June 21, 2018 |
| Sean Thomas Boyt On Performing the Hustle | Kat J. Sullivan | June 22, 2018 |
| Ensemble of Strangers | Amelia Rose Estrada | June 24, 2018 |
| How Does Motherhood Move? | Maddie Hopfield | July 01, 2018 |
| TD & TP: We're Intrigued | Jenna Horton | July 09, 2018 |
| A Love Letter from the Field | Kat J. Sullivan | July 09, 2018 |
| Human Exploration: Rhythm, Time, and Light | Ama Ma'at Gora | July 12, 2018 |
| Where ‘Bitch’ is Encouragement | Thomas Choinacky | July 16, 2018 |
| Dance in Europe – in search of artistic and organizational sustainability | Zornitsa Stoyanova | July 18, 2018 |
| Instant Appeal | Mira Treatman | July 25, 2018 |
| A Fight to Success: Interview with Chanel Holland, founder of Chocolate Ballerina Co. | Mohan Bell | July 26, 2018 |
| Locating oneself in cricket chirps | Thomas Choinacky | July 28, 2018 |
| Going Full Throttle with the Community | Barbora P?íhodová | July 31, 2018 |
| World-Making and Remaking | Meredith Bove | August 02, 2018 |
| What No Other Dance Studio in Philly Is Doing: a Conversation with Urban Movement Arts | Maddie Hopfield | August 08, 2018 |
| Digital Fringe: on the Fringe of the Fringe Festival | Jenny Kessler | August 14, 2018 |
| Ballet Hispánico in the Hinterland | Lynn Matluck Brooks | August 15, 2018 |
| Fringe Picks: 5 tD Writers on What They’re Seeing this Year and Why | Lynn Matluck Brooks | August 16, 2018 |
| What I’m Seeing in this Year’s Fringe | Jonathan Stein | August 21, 2018 |
| FIGMAGO: Dances For Eternal Children | Mira Treatman | August 23, 2018 |
| Transported to Universes Far Away | Thomas Choinacky | August 27, 2018 |
| A Way of Being: Awilda Sterling Duprey | Amelia Rose Estrada | September 04, 2018 |
| Stop Objectifying Women | Thomas Choinacky | September 06, 2018 |
| The Accountant: Death, Taxes, and Fruit | Jenny Kessler | September 07, 2018 |
| Princess McNugget | Whitney Weinstein | September 09, 2018 |
| Stifters Dinge: Happy World without Humans | Barbora P?íhodová | September 10, 2018 |
| BASIC WITCHES: An Esteemed Elixir of Musical Theater and Drag | Whitney Weinstein | September 10, 2018 |
| Stuck in Purgatory | Whitney Weinstein | September 11, 2018 |
| Say Their Names and Other Acts of Transformation | Thomas Choinacky | September 13, 2018 |
| Shine Bright Like a Magda | Mira Treatman | September 13, 2018 |
| Sites of Potential | Thomas Choinacky | September 14, 2018 |
| Cautionary Correlations | Miryam Coppersmith | September 15, 2018 |
| Endurance, Chaos, and the Rigor of Attention | Kat J. Sullivan | September 15, 2018 |
| Digital Dances/Imagined Scores | Eleanor Goudie-Averill | September 16, 2018 |
| Hoochie in the Front, Coochie in the Back | Jenna Horton | September 16, 2018 |
| The Art of Gesture | Lynn Matluck Brooks | September 16, 2018 |
| Unhinging memory and making time tangible | Janna Meiring | September 16, 2018 |
| Diving Deep | Whitney Weinstein | September 17, 2018 |
| Aerobics and the Bee Gees Confront Titian, Picasso, Duchamp at PMA | Jonathan Stein | September 18, 2018 |
| They Didn't Want to Die | Mira Treatman | September 20, 2018 |
| Welcome to the Backyard | Lynn Matluck Brooks | September 20, 2018 |
| "You Jump, I Jump. Right?" | Barbora P?íhodová | September 22, 2018 |
| Removing the Lines: American Anthems, Spectacle, and Zyrtec | Maddie Hopfield | September 23, 2018 |
| The Sea as a Doorway and a Border | Nicole Bindler | September 23, 2018 |
| Dance as Spectacle: Le Super Grand Continental Takes the Club Outside | Karl Surkan | September 23, 2018 |
| Three Aksha and the Modern Journey of Bharatanatyam | Preeti Pathak | September 24, 2018 |
| Provocation and Delight with Metal & Kind | Janna Meiring | September 24, 2018 |
| The F Word: Movements, Music, and Memory | Preeti Pathak | September 24, 2018 |
| Chew on This | Miryam Coppersmith | September 24, 2018 |
| Glass Handel: Shattering Opera | Lynn Matluck Brooks | September 24, 2018 |
| On Our Backs In The Dark | Mira Treatman | September 26, 2018 |
| Dazzle-Me Daring | Amelia Rose Estrada | September 29, 2018 |
| Soft Thought Windows | Maddie Hopfield | October 01, 2018 |
| Tangled Paths | Whitney Weinstein | October 03, 2018 |
| Seeking an Executive Editor | Julius Ferraro | October 05, 2018 |
| Eye of the Storm | Carolyn Merritt | October 05, 2018 |
| Dancing Beautiful Despair: Romeo & Juliet | Lynn Matluck Brooks | October 14, 2018 |
| Taking Back the Forgotton Female | Whitney Weinstein | October 16, 2018 |
| Illusions in a Red Room | Thomas Choinacky | October 17, 2018 |
| A Planet Made Soft | Jenna Horton | October 22, 2018 |
| Howling for Equality | Whitney Weinstein | October 23, 2018 |
| Ravishing Baroque Dance at Ravensong | Lynn Matluck Brooks | October 25, 2018 |
| "A Rap" Needs a Flow | Miryam Coppersmith | October 27, 2018 |
| chipaumire: Unlimit Freedom | Carolyn Merritt | October 29, 2018 |
| Ten Tiny Dances Alight at Mascher Space Cooperative | Jonathan Stein | October 30, 2018 |
| Gritty in Performance | Mira Treatman | October 31, 2018 |
| Three by PAB | Lynn Matluck Brooks | November 11, 2018 |
| Reflections from the Philadelphia Museum of Dance | Kalila Kingsford Smith | November 14, 2018 |
| The Body Endures | Megan Bridge | November 15, 2018 |
| Deliciously Considered | Thomas Choinacky | November 25, 2018 |
| Contemporary Dance, Gendered Norms | Maddie Hopfield | November 28, 2018 |
| “I Am” Documentary Review | Preeti Pathak | December 04, 2018 |
| Ritual Structures: The Work of Group Motion | Eleanor Goudie-Averill | December 04, 2018 |
| I don’t need to see Jessica Lang Dance | Kat J. Sullivan | December 14, 2018 |
| Abby Z and the New Utility Electrifies | Maddie Hopfield | December 18, 2018 |
| PHILADANCO Moves | Miryam Coppersmith | December 19, 2018 |