| Photos of JUNK | Guest Writer | January 03, 2015 |
| Dance Education: A Privilege in Public Schools? | Megan Bridge | January 12, 2015 |
| When Dance Has a Voice: The Photo Story | Gregory King | January 23, 2015 |
| An Unnatural Occurrence: The Tribe Gathers at APAP | Ellen Chenoweth | January 29, 2015 |
| Dance’s Shimmering Call | Megan Bridge | February 05, 2015 |
| On Small Forms and Mid-Winter Desperation: A Primer | Kirsten Kaschock | February 05, 2015 |
| Owning Hip Hop: The Politics of Citizenship | Gregory King | February 07, 2015 |
| The New and the Notable at PAB | Lynn Matluck Brooks | February 10, 2015 |
| Danced Duets, Costumes and Caravaggio–a conversation with Judith Stein | Lisa Kraus | February 11, 2015 |
| Arcell’s Truth Based in Evidence | Gregory King | February 14, 2015 |
| Turbulent Times in Motion | Lynn Matluck Brooks | February 15, 2015 |
| Magda & Chelsea Interview | Guest Writer | February 17, 2015 |
| Running Rhythms | Whitney Weinstein | February 23, 2015 |
| Amazing, Awesome BalletX | Carolyn Merritt | February 25, 2015 |
| Sparks Fly From a Volatile Mix | Ellen Chenoweth | February 26, 2015 |
| Gem n’ I: Domesticity As Performance | Gregory King | March 07, 2015 |
| Scratch That and Recreate an Arts Community | Whitney Weinstein | March 11, 2015 |
| Flying and Fleeting | Lynn Matluck Brooks | March 17, 2015 |
| MY FALL IN BODIES. FOR ANNIE. | Kirsten Kaschock | March 23, 2015 |
| A Dancing, Songful Farewell | Lynn Matluck Brooks | March 24, 2015 |
| Marley and the City: BalletX Inherits Dance/UP's Portable Dance Floor | Gregory King | March 27, 2015 |
| Proof of Dancers’ Re-Incarnation! Babies Wow with Cool Moves! | Lisa Kraus | April 06, 2015 |
| Passionate Precision | Lynn Matluck Brooks | April 14, 2015 |
| Dancing When Everybody's Watching | Whitney Weinstein | April 15, 2015 |
| This Is Not a Gentle Piece | Ellen Chenoweth | April 17, 2015 |
| Next/UP? Bulletins from the Dance Community’s New Coalition | Patricia Graham | April 20, 2015 |
| BeginAgain: A Narrative Reinvented | Gregory King | April 20, 2015 |
| Hamlet--To Dance or Not To Dance, A Question | Jonathan Stein | April 22, 2015 |
| DANCE WITH CAMERA: A Sequence in Fifteen Stanzas | Asimina Chremos and Ditta Baron Hoeber | April 22, 2015 |
| Unveiled: Authorial Intent | Kirsten Kaschock | April 22, 2015 |
| Stretching the Boundaries of Dance Fusion | Gregory King | April 24, 2015 |
| All We Are | Carolyn Merritt | May 01, 2015 |
| QUEER SCHOOL in Session | Ellen Chenoweth | May 05, 2015 |
| Sunbathers, Sailors, and Society Wives: Robbins at PAB | Lynn Matluck Brooks | May 13, 2015 |
| A Dance of Attention | Megan Bridge | May 14, 2015 |
| Languaging Dance | Megan Bridge | May 15, 2015 |
| How Many Spokes Make Up The Pilobolus Wheel? | Gregory King | May 16, 2015 |
| A Love Note to RDA (Regional Dance America) | Kirsten Kaschock | May 17, 2015 |
| Baggage Attached: An Interview with Kate Watson-Wallace | Whitney Weinstein | June 04, 2015 |
| Kathakali Now | Lisa Kraus | June 07, 2015 |
| Dance on Paper at the Philadelphia Museum of Art | Jonathan Stein | June 07, 2015 |
| Conversation With A Curious Choreographer | Gregory King | June 08, 2015 |
| Philadelphia’s Tango Moment | Carolyn Merritt | June 13, 2015 |
| Astonish Us: PAB’s Closing Season Program | Lynn Matluck Brooks | June 13, 2015 |
| Hadar Ahuvia and Jesse Zaritt: Jewish-American Choreographers Grapple with Zionism and the Nakba | Nicole Bindler | June 15, 2015 |
| A Leap Into Hybrid Performance | Megan Bridge | June 19, 2015 |
| Facing Facing Front | Lynn Matluck Brooks | June 23, 2015 |
| Dance/USA and The Quest for Heterogeneity in Diversity | Gregory King | June 29, 2015 |
| Remix: Relinquish, Reorganize, Reinterpret | Kalila Kingsford Smith | July 02, 2015 |
| A Slew of Site-celebratory Performances | Ellen Chenoweth | July 03, 2015 |
| Human Movement | Carolyn Merritt | July 14, 2015 |
| Writing Together about the Come Together Festival | Lynn Matluck Brooks | August 03, 2015 |
| Write Back atcha! tD partners with FringeArts in this years' Festival | Megan Bridge | August 27, 2015 |
| Summer Savory: Mt. Tremper Arts' Alchemy of Art and Food | Lisa Kraus | September 05, 2015 |
| Water Anyone? | Lynn Matluck Brooks | September 06, 2015 |
| Three Sisters Run with the Wolves | Lynn Matluck Brooks | September 06, 2015 |
| Excavating the Family Secret | Kalila Kingsford Smith | September 07, 2015 |
| The live-action version of every Judd Apatow movie: Still Standing You | Annie Wilson | September 10, 2015 |
| How We Write When We Write About Dance: Ink on the Fringe | Kirsten Kaschock | September 11, 2015 |
| Atypical Beauty | Whitney Weinstein | September 11, 2015 |
| Border Crossings | Lisa Kraus | September 11, 2015 |
| Simplicity in Space - Repeat! | Gregory King | September 12, 2015 |
| The Traumas of Careful Injuries | Whitney Weinstein | September 13, 2015 |
| Railroaded by Underground Railroad Game | Gregory King | September 13, 2015 |
| From Here to There and in Between | Whitney Weinstein | September 14, 2015 |
| Write Up to the Edge: Fringe at The Border | Kirsten Kaschock | September 14, 2015 |
| Dead Bodies All Around Me: Unarmed | Gregory King | September 18, 2015 |
| Greg the Creature, the Human | Nicole Bindler | September 18, 2015 |
| The Spirits in David Zambrano’s Soul Project | Jonathan Stein | September 19, 2015 |
| Letter to the Whirl: The Crowd Circles Round | Kirsten Kaschock | September 22, 2015 |
| New Maps from the Fringe Festival | Ellen Chenoweth | September 25, 2015 |
| Women | Nicole Bindler | October 09, 2015 |
| In darkness, we disappear together | Zornitsa Stoyanova | October 10, 2015 |
| Traces of Trisha: Into the Archive | Lisa Kraus | October 11, 2015 |
| Heard About Town: Tania Isaac | Guest Writer | October 13, 2015 |
| Rock On Philadelphia! | Zornitsa Stoyanova | October 13, 2015 |
| Heard About Town: Asimina Chremos | Guest Writer | October 13, 2015 |
| “Going Back to Nothing” - Kicking Off the Trisha Brown: In the New Body Festival | Jonathan Stein | October 17, 2015 |
| What Birds Can Teach Us about Life on Earth | Megan Stern | October 17, 2015 |
| Tierra | Carolyn Merritt | October 18, 2015 |
| The City Breathes Together | Julius Ferraro | October 18, 2015 |
| Circuitflow | Kat J. Sullivan | October 25, 2015 |
| PAB: Pointe and Break | Lynn Matluck Brooks | October 25, 2015 |
| To delight and to rot | Kat J. Sullivan | October 26, 2015 |
| Theater in the Wake | Kirsten Kaschock | October 29, 2015 |
| Silenced Voices Speak Up: Urban Bush Women | Lauren Samblanet | October 29, 2015 |
| "Making the Body Theater": An Interview with Terzopoulos on Antigone | Jay Oatis | October 30, 2015 |
| Chopin’s Sickly Hands | Julius Ferraro | November 02, 2015 |
| NowHere/NoWhere: Two Views | Lynn Matluck Brooks | November 03, 2015 |
| BalletX Brings Fonte's Beasts Alive at the Wilma Theater | Gregory King | November 03, 2015 |
| Intricate Inconsistencies | Whitney Weinstein | November 03, 2015 |
| Architectural Tuning | Megan Bridge | November 04, 2015 |
| Firestorm | Sara Graybeal | November 04, 2015 |
| Trisha Brown Revisited | Rhonda Moore | November 06, 2015 |
| How to Dance Bach | Lynn Matluck Brooks | November 06, 2015 |
| On Not Bowing | Guest Writer | November 09, 2015 |
| Dancing Detours | Jay Oatis | November 11, 2015 |
| Interview with The Dance Apocalypse | Karl Surkan | November 12, 2015 |
| A Funeral For Five Performances | Ellen Chenoweth | November 12, 2015 |
| Tharp and Race: Four Questions | Gregory King | November 15, 2015 |
| The Color Of The Aged Queer is Pink | Gregory King | November 16, 2015 |
| Oh and Anne Teresa | Kat J. Sullivan | November 16, 2015 |
| Criticism For Theatre's Sake | Guest Writer | November 17, 2015 |
| He is Chris, Chris he is, and he is beautiful | Lisa Kraus | November 20, 2015 |
| The Requisite Movers: The Complexities of Black Consciousness | Gregory King | November 20, 2015 |
| Disorientation | Julius Ferraro | November 22, 2015 |
| Ballet Beasts: Animals All | Lynn Matluck Brooks | November 22, 2015 |
| Jeanine Durning's "inging" & "to being" | Guest Writer | November 24, 2015 |
| Ordinary Beauty, Ecstatic Beauty | Meredith Bove | November 26, 2015 |
| Belonging at Home | Kalila Kingsford Smith | November 28, 2015 |
| Spiel Uhr: En-Trance | Roxanne Lyst | November 29, 2015 |
| Performing the Self in Rage - The Life of an Artist | Zornitsa Stoyanova | December 01, 2015 |
| It's a Party in the USA | Jenna Horton | December 01, 2015 |
| Snowflakes, Sequins and Pearls: A Night With The Lady Hoofers | Sara Graybeal | December 10, 2015 |
| Grounded and Present with Merian Soto's Video Installation | Beau Hancock | December 11, 2015 |
| Little Explosions with Dorrance Dance | Ellen Chenoweth | December 15, 2015 |
| Chremos and Crochet | Lynn Matluck Brooks | December 17, 2015 |
| Credit Where Credit is Due - a Letter to the Editor (of The New Yorker) | Guest Writer | December 18, 2015 |
| Full-bodied and Sweet: A Toast to the Taunt | Whitney Weinstein | December 18, 2015 |
| Liberty Belle Anne & Her Nutt Crak-Up Crew | Sara Graybeal | December 20, 2015 |
| The Creeping Threat of Time | Julius Ferraro | December 21, 2015 |
| Blood, Smoke and Ballet: A Night With a Killer Swan | Andrew Sargus Klein | December 23, 2015 |
| The Wiz as a Historical Document | Gregory King | December 30, 2015 |