| Martha Graham Lives! | Gregory King | January 02, 2017 |
| Diva Drones: Cinematic Sci-Fi at Parsons Dance | Kalila Kingsford Smith | January 05, 2017 |
| Gratitude in Transition | Kirsten Kaschock | January 08, 2017 |
| Jim May: A Beautiful Friendship with Philadelphia | Lynn Matluck Brooks | January 09, 2017 |
| Levee des conflits: From the Inside Out | Ellen Chenoweth | January 14, 2017 |
| Fuller Beyond the Frame | Kirsten Kaschock | January 16, 2017 |
| Engaging Entanglements: Duende | Lynn Matluck Brooks | January 17, 2017 |
| Mercurial Identities at American Realness | Megan Bridge | January 18, 2017 |
| Rocky XV | Becca Weber | January 19, 2017 |
| SaltSoul, in Dialogue, Ripples Through habitus | Jonathan Stein | January 20, 2017 |
| Celebrating 11 years of Mascher Space Cooperative, an artist run space in Philadelphia | Zornitsa Stoyanova | January 22, 2017 |
| The Heart, Soul and Immediacy of Doug Varone | Rhonda Moore | January 25, 2017 |
| Getting Up to Get Back Down | Andrew Sargus Klein | January 27, 2017 |
| From the NextMove Studio: Pedestrian Presence in Varone’s Work | Kalila Kingsford Smith | January 28, 2017 |
| A Rare Collision | Julius Ferraro | January 30, 2017 |
| A Night of Giving Change | Whitney Weinstein | January 31, 2017 |
| See Beau Run | Lynn Matluck Brooks | January 31, 2017 |
| The Many Ventures of the Lady Hoofers | Whitney Weinstein | February 02, 2017 |
| Grappling With Whiteness in a Field of Poppies | Nicole Bindler | February 03, 2017 |
| Bebe Miller and Susan Rethorst: Archiving the Disappearing Dance | Meredith Bove | February 04, 2017 |
| Notes in Alchemy from Moving Arts Lab | Janna Meiring | February 09, 2017 |
| Giving Form to the Invisible: Graffito Works at PAFA | Kat J. Sullivan | February 16, 2017 |
| IlluminatedX | Kirsten Kaschock | February 18, 2017 |
| Dance: Soft Diplomacy in the Cold War | Lynn Matluck Brooks | February 23, 2017 |
| The Embodied Blueprints, or How Time and Space Are Malleable If You Make Them | Kat J. Sullivan | February 23, 2017 |
| 1fiftyone gallery + art space, in Kensington | Zornitsa Stoyanova | February 26, 2017 |
| Vive Carnaval | Carolyn Merritt | February 27, 2017 |
| Six voices, one work | Andrew Sargus Klein | March 10, 2017 |
| Write Back Atchas - spring 2017 | Ellen Chenoweth | March 12, 2017 |
| Pirates, Pashas, and Pretty Women | Lynn Matluck Brooks | March 13, 2017 |
| From the NextMove Studio: Cuban Modern Dance | Kalila Kingsford Smith | March 13, 2017 |
| Killer Sideburns’ Stochastic Stars | Nicole Bindler | March 16, 2017 |
| Infinite Unfolding | Kat J. Sullivan | March 18, 2017 |
| Bricolage: A DIY Response to Trump | Janna Meiring | March 24, 2017 |
| Artists Discuss: How Cultural Identities Inform the Creative Process, Part 1 | Kalila Kingsford Smith | March 25, 2017 |
| Artists Discuss: How Cultural Identities Inform the Creative Process, Part 2 | Kalila Kingsford Smith | March 26, 2017 |
| Seeking Sophie: An Interview With Peek-A-Boo Revue’s Sophie Sucré | Whitney Weinstein | April 09, 2017 |
| From the Next Move Studio: Jessica Lang Dance | Kalila Kingsford Smith | April 16, 2017 |
| Marxism, Grotowsky, and a Rational Theater | Julius Ferraro | April 18, 2017 |
| RAIR Game | Jenna Horton | April 19, 2017 |
| Parroting Parrot Talk: A Write Back Atcha Event | Whitney Weinstein | April 22, 2017 |
| Kun-Yang Lin / Dancers: Occupying The Spaces Between | Kalila Kingsford Smith | April 23, 2017 |
| Getting Lost and Not Found in Thank You For Coming: Play | Hannah Salzer | April 24, 2017 |
| MOBBallet: Website Showcases Black Ballet History | Ellen Chenoweth | May 03, 2017 |
| Crazy Love Letters; Beautiful Break-ups | Megan Bridge | May 03, 2017 |
| Extreme Physicality: An Interview with Abby Zbikowski | Carolyn Merritt | May 10, 2017 |
| Internal Security Investigation #100-190707 | Ellen Chenoweth | May 13, 2017 |
| From the NextMove Studio: Traditional Training Meets Contemporary Rep | Kalila Kingsford Smith | May 15, 2017 |
| A Tribute and a Promise – PAB Closes out the Season | Lynn Matluck Brooks | May 16, 2017 |
| The Art of the Subtle Reveal | Kat J. Sullivan | June 02, 2017 |
| A Crazy Beautiful Hope for Connection | Janna Meiring | June 03, 2017 |
| Other Lives | Carolyn Merritt | June 05, 2017 |
| Barking at Your Battles | Whitney Weinstein | June 12, 2017 |
| We Are Where We Came From | Andrew Sargus Klein | June 13, 2017 |
| Feed Your Friends | Whitney Weinstein | June 29, 2017 |
| SoLow Fest: So-Low to So-High on the Ben Franklin Bridge | Jonathan Stein | July 04, 2017 |
| SoLow Fest: RAINDANCE | Kalila Kingsford Smith | July 04, 2017 |
| Beauty and Genius - In the Steps of Trisha Brown | Lisa Kraus | July 14, 2017 |
| To create beauty, to record despair, to dance for each other | Andrew Sargus Klein | July 14, 2017 |
| Dance/USA and The Promise of Equity and Inclusion . . . Two Years Later | Gregory King | July 14, 2017 |
| IABD: Grant Puts Action Behind the Narrative | Gregory King | July 19, 2017 |
| Denise Jackson, Unplugged | Rhonda Moore | July 29, 2017 |
| Bronx Gothic Becomes a Film: Divine Luxury | Ellen Chenoweth | August 06, 2017 |
| Being a Pig in the Village | Nicole Bindler | August 22, 2017 |
| Semi-Composed: Metamorphosis Offers John Cage-Inspired Evening | Karl Surkan | August 30, 2017 |
| Ike Hana: Sharing Danced Culture from the Asia Pacific Region | Lisa Kraus | August 31, 2017 |
| Leaping Forward and Larger: Insight into Almanac's Revisited Work for Fringe | Whitney Weinstein | August 31, 2017 |
| How Does a Clown Deal With Change? | Nicole Bindler | September 06, 2017 |
| Women on the Border of Freedom | Nicole Bindler | September 07, 2017 |
| Moving through Shakespeare | Whitney Weinstein | September 08, 2017 |
| Collapsed Time, Big Dance, and Pepys’s Penis | Jenna Horton | September 08, 2017 |
| Strange Tenants: A Stylized Nightmare | Julius Ferraro | September 09, 2017 |
| Everything at once, adjacent to you | Kat J. Sullivan | September 10, 2017 |
| A1: Gravity Online | Julius Ferraro | September 10, 2017 |
| Spilt Milk: Unearthing Conversational Clashes | Kalila Kingsford Smith | September 10, 2017 |
| Stillness and Disruption: On Flowers Cracking Concrete, a Book by Rosemary Candelario | Janna Meiring | September 12, 2017 |
| Time Is Fleeting | Carolyn Merritt | September 14, 2017 |
| Faustin Linyekula’s Art Mends Broken Circles | Jonathan Stein | September 14, 2017 |
| Skimming the Surface of the American Girl | Whitney Weinstein | September 14, 2017 |
| Gunnar Montana: Fierce and Fabulous | Whitney Weinstein | September 15, 2017 |
| Seafaring Brilliance | Patricia Graham | September 15, 2017 |
| Singing the Body Eclectic: Michael Kiley & Close Music | Rhonda Moore | September 15, 2017 |
| Class In Session, Let’s Talk Sex | Whitney Weinstein | September 16, 2017 |
| Feminine Plural: Olive Prince Dance | Rhonda Moore | September 17, 2017 |
| Existence is Extraordinary | Janna Meiring | September 17, 2017 |
| KITH: A Moving Constellation of Kinship | Janna Meiring | September 18, 2017 |
| Sumptuous Operatic Soufflé | Lynn Matluck Brooks | September 18, 2017 |
| In the Dark: Hello Blackout! | Lynn Matluck Brooks | September 18, 2017 |
| Sculpture in Motion | Rhonda Moore | September 18, 2017 |
| Megapolis Audio Festival, single slice | Patricia Graham | September 20, 2017 |
| Conflicting Ideologies in Mistress of the Maze | Kalila Kingsford Smith | September 21, 2017 |
| The Curse of Perspective | Julius Ferraro | September 23, 2017 |
| The Elements of Interior | Kirsten Kaschock | September 24, 2017 |
| Close to Bodily Music | Lynn Matluck Brooks | September 24, 2017 |
| Community of Women | Julius Ferraro | September 25, 2017 |
| Notes on A Love Supreme | Anna Drozdowski | September 26, 2017 |
| Amerikaleidoscolonic | Jenna Horton | September 26, 2017 |
| Call Me #PUNK | Hannah Salzer | September 29, 2017 |
| Art as Remedy in “Urgent Care: A Social Care Experience” | Karl Surkan | October 03, 2017 |
| Aren’t We All Rosie? | Gregory King | October 11, 2017 |
| Shaken, Stirred, and Aroused | Whitney Weinstein | October 11, 2017 |
| Dance's Past: Time is Running Out | Lynn Matluck Brooks | October 12, 2017 |
| Once we meet, we’re family: An Asia Pacific Dance Diary | Lisa Kraus | October 14, 2017 |
| Belén Maya’s Romnia—A Searing Homage to Romany Women | Jonathan Stein | October 20, 2017 |
| Memory, Identity, Fragmented Masculinity | Carolyn Merritt | October 20, 2017 |
| A Cool Cushion Between Realities | Ellen Chenoweth | October 23, 2017 |
| Straight Outta’ Philly: Illuminated, Dancing | Sara Graybeal | October 28, 2017 |
| Gallim’s Feet Skipping Around Solid Stone | Eleanor Goudie-Averill | November 09, 2017 |
| Having Fun at the Ballet | Lynn Matluck Brooks | November 12, 2017 |
| Absolution in the Witness, in the First Breath | Kat J. Sullivan | November 18, 2017 |
| thINKingDANCE Receives Project Stream Grant to Engage Young Writers | Carolyn Merritt | November 20, 2017 |
| thINKingDANCE Partners with Artblog on the 2017 New Art Writing Challenge | Carolyn Merritt | November 21, 2017 |
| choreoBASH is a Smashing Success! | Carolyn Merritt | November 21, 2017 |
| To Signposts and Light Poles | Nicole Sonsini | November 29, 2017 |
| Toying with Rocks: Jottings on the Ardmore Cairn | Nishat Hossain | November 30, 2017 |
| Hold Still While We Try to Figure This Out Together | Kirsten Kaschock | December 01, 2017 |
| I Wanted to Love You, Blood Wedding | Jenna Horton | December 12, 2017 |
| Architectures of Time and Space | Lynn Matluck Brooks | December 13, 2017 |
| Summoning and Embodying Black Ancestry | Thomas Choinacky | December 16, 2017 |
| Heads Together; Feet in the Snow | Kalila Kingsford Smith | December 18, 2017 |
| The People Speak: Belle Alvarez & ILL DOOTS | Rhonda Moore | December 23, 2017 |
| The Future of the Bride Affects Us All | Rick Snyderman | December 27, 2017 |
| Ronald K. Brown/Evidence: Dancing Through the Spirit | Rhonda Moore | December 29, 2017 |