Reviews
- Reviews
Three distinct versions of the same Deborah Hay solo were performed by three Philadelphia artists.
- Reviews
The audience’s first responses: “Celebration. Bearing witness. Transparency. Shadows. Remembering. Nooses dropping. Acceptance. Pain. Repetition. Awesome.”
- Reviews
I chance upon pieces dancing around the Bride: Cage’s neat scores, Duchamp’s nudes descending shattered large glasses, Cunningham’s reeling dances.
- Reviews
In one night I witnessed the work of six aesthetically different artists and groups, some of whom had almost nothing to do with the others.
- Reviews
Representing difference, they give us new information about Africa and its many traditions.
- Reviews
Grace, attitude and ferocity in technique was balanced by big presence and a real joy in performing that I’d almost forgotten was possible.
- Reviews
What if the creator’s role was to release into the world a never-ending set of possibilities, whose lives would surely outlive that of their originator?
- Reviews
Lubovitch exposes his strategy and follows its logic, responding closely to the music he chooses.
- Reviews
The BillHPhotos Choreography Showcase drew on significant talent in our community and underscored the value of showcasing excerpts and works-in-progress.
- Reviews
The weightedness of bodies in 'Hoist,' either in motion or at rest, was the strongest metaphorical connection to an industrial past of physical labor and heavy machinery.