Reviews

Photo courtesy of Dance/USA
  • Reviews

Dance/USA and The Promise of Equity and Inclusion . . . Two Years Later

Gregory King

Ballet on the main stage, hip hop on the street

Photo: C. Stanley Photography
  • Reviews

To create beauty, to record despair, to dance for each other

Andrew Sargus Klein

MK Abadoo explores body politics, African Diaspora, and sci-fi through dance

Photo: Jonathan Stein
  • Reviews

SoLow Fest: So-Low to So-High on the Ben Franklin Bridge

Jonathan Stein

Mira Treatman led half a dozen curious across the bridge's pedestrian walkway.

Photo: Adam Reign
  • Reviews

We Are Where We Came From

Andrew Sargus Klein

Rosie Herrera’s pairing of sets and props with resonant personal symbols seamlessly blended the past and the present.

Photo: Ian Douglas
  • Reviews

Barking at Your Battles

Whitney Weinstein

The audience follows the teen identified as Dog Girl through an array of coming-of-age heartaches and triumphs.

Photo: Kate Raines/Plate3Photography
  • Reviews

Other Lives

Carolyn Merritt

If a voice inside your head told you to follow someone, would you?

Photo: Lindsay Browning
  • Reviews

A Crazy Beautiful Hope for Connection

Janna Meiring

As humans, we cannot be only solitary, nor can we be only collective.

Photo: Darryl Moran
  • Reviews

The Art of the Subtle Reveal

Kat J. Sullivan

The simplicity of their movement has a beautifully muffled quality; hushed and gentle, like snow.

Photo: Alexander Iziliaev
  • Reviews

A Tribute and a Promise – PAB Closes out the Season

Lynn Matluck Brooks

May Pennsylvania Ballet settle, take root, and flourish.

Photo: Anne-Marie Mulgrew
  • Reviews

From the NextMove Studio: Traditional Training Meets Contemporary Rep

Aspen Santa Fe Ballet's male and female performers' bold, unabashed intensity.