This satire takes a step closer to horror, too uncomfortable to unwind in front of at 10pm.
The dancers play the bass notes abstractly in the air: the invisible substance becomes thick with gesture.
We all grasped that we too could find these pitches within our chests, from our own lungs, through our very own breath.
I read the piece as an elegy to lives lived beyond this space, lives without celebration or witness.
Pig Iron’s epic, symphonic theater searches for meaning in extinction.
Dancer and fabric artist Sarah Carr offers an interpretation of iconography found in Minoan archeological artifacts.
Waves of rolling sonic oceans and oversized videos paint an internal world of experience.
A space writer, Mullins creates beautiful, ephemeral calligraphy.
When do we ever encounter utter darkness? Hello, blackout.