Reviews

Lynn Matluck Brooks

Our movement, our mating, our social veneer, and our violence barely sheathe our inner beastliness.

Lisa Kraus

Christopher Knowles’ performance brings us into his world, one that’s precise, repetitive, forthright, fantastical, and perhaps obsessive.

Published in collaboration with culturebot.org -- an excerpt from Mark Fisher's 2015 book.

Kat J. Sullivan

Boris Charmatz strides out and then you, Anne Teresa.

Jay Oatis

Los Angeles is infamous for its traffic. The evening of work that LA-based company BODYTRAFFIC presented at the Prince Theater felt congested.

Published in collaboration with culturebot.org, John Hoobyar writes about the expectation of bowing or not after the show.

Lynn Matluck Brooks

The ridiculous and the sublime in Twyla Tharp: 50th Anniversary Tour and De Keersmaeker's Partita 2.

Rhonda Moore

The early '70s pieces remain stridently current, thanks to the timeless quality of Brown’s work.

Sara Graybeal

Tablao Philly--an experience of unbridled crescendo, a night that accelerated in vigor, skill, and intensity until the end.

Megan Bridge

Partita 2 asks us not just to note the passing of time, but to participate kinesthetically in time’s ticking.