Connecting Amidst Chaos—PDP presents Dance Up Close
March 10, 2020
The recent Philadelphia Dance Projects presents Dance Up Close featured two
Articles written by Janna Meiring
Kulu Mele’s 50-year Spirit of Reciprocation
January 3, 2020
The 50-year celebration performance of Kulu Mele African Dance and Drum
September 20, 2019
Offered as a subverted prayer, Another Agatha calls upon 15-year old virgin
Keening Humans and Instructions from Creatures
September 8, 2019
Entering Theatre Exile’s black box, a decision: Take a seat
Site, Skin and Self: A Week with Rosy Simas
June 6, 2019
“Where do you come from?” This past season, Intercultural Journeys invited artists,
Provocation and Delight with Metal & Kind
September 24, 2018
Metal & Kind’s Indestructible Flowers is billed as a “collage of
Unhinging memory and making time tangible
September 16, 2018
Meg Foley’s The undergird asserts that only the body can perceive and
KITH: A Moving Constellation of Kinship
September 18, 2017
On the black marley floor is a constellation of words
September 17, 2017
Every now and again, adults need a little reminder that
Stillness and Disruption: On Flowers Cracking Concrete, a Book by Rosemary Candelario
September 12, 2017
“The effect of Eiko & Koma’s performances is like water
A Crazy Beautiful Hope for Connection
June 3, 2017
Entering the doorway into an installation space constructed of enormous
Bricolage: A DIY Response to Trump
March 24, 2017
“Bricolage” is a French contemporary term for DIY, where you
Notes in Alchemy from Moving Arts Lab
February 9, 2017
All bodies are made of the same organic components, a
Credit Where Credit is Due – a Letter to the Editor (of The New Yorker)
December 18, 2016
Joan Acocella, whose writing on tap master Savion Glover in The
Jean & Terry: Venturing Out of the Ordinary
December 1, 2016
Jean & Terry: Your Guides Through Dark, Light, and Nebulous is
September 21, 2016
On arriving at Brendan Tetsuo’s concert, Walk to Topaz, I am struck
Levée des Conflits: Anything but Neutral
September 10, 2016
Boris Charmatz identifies this work as a consideration of Barthes’
nora chipaumire’s Brave and Daring Portrait
September 8, 2016
The practice of making performance in order to understand identity
In Honor of Black Girl Magic: A Curated Salon at The Colored Girls Museum Festival
July 17, 2016
“Sanctified. This space is now sanctified.” A grounded voice rose
