
What’s a good death
When we think about hustle culture, frogs don’t usually come
Not all pulled back lips are smiles
Julia Baccellieri is one solid muscle. By merely standing, her
The Rear-View Mirror: Hindsight from a Dance Scholar
Susan Manning’s name hasn’t changed, but the name of her
Blend In, Stand Out: The First African American Rockette Shares her Story
Imagine the 1988 Super Bowl. A sea of beveled legs
The Web: Celebrating Ten Years of Podcast Interconnectedness
“Is my mic on? Can you hear me?” After ten
Different Speeds of (Moon)Light
A small, pale orb moves westward. On a white tapestry,
Just wait. It will become something new.
Ten minutes into this performance, a few things are clear:
As soon as she enters the stage, Vanessa Kamp’s gaze
A relationship is going well. You envision the future and
Cracking Open and Spilling Out
(((pomegranate))) shrouds the Icebox Project Space in a somber atmosphere.
The UArts closure affected, and is affecting, every arts program
Casual Crackles: A Write Back Atcha
Christ Church Neighborhood House bustles with excitement. The pale blue
On Aging, Mentorship, and Paving the Road
You sit across from someone you trust. Opinions, reflections, and
On Aging and Mentorship: Being Held in the Dark Spaces
It’s 1989. Sheila Zagar stands in front of her movement
Alonzo Magsino runs his fingers through an invisible river. He
Hi there.” Ella-Gabe walks to me, extending a hand. Their
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Megan Mizanty (she/her) is an interdisciplinary artist and educator. She primarily works in movement, text, and sound, with collaboration at the heart of all creative ventures. She is an editorial board member, editor, and staff writer with thINKingDANCE.
Megan Mizanty (she/her) is an interdisciplinary artist and educator, with a multi-faceted history in movement, text, and sound.
As an educator, Megan has served on faculty and as a guest artist at Susquehanna University, DeSales University, Dickinson College, Marywood University, Wilson College, and more. Beyond dance, Megan is a 200-RYS/30-Yin yoga instructor, certified through the inclusive ideologies of Ohm Grown Yoga in New Jersey. Her primary interests in yoga include Yin, trauma-based Vinyasa flow, and meditation + movement practices. Megan believes movement is the gateway to an empowered, joyful life. Her teaching philosophy is student-entered, with an emphasis on community building and self-inquiry.
As an artist, Megan has a decades-long history collaborating with opera singers, sculptors, musicians, actors, and more. She recently was an artist-in-residence at Mascher Space Co-Op in Philadelphia. She danced with companies along the east coast, including Birds on a Wire Dance Theatre, Improbable Stage Productions, LINKED dancetheatre and toured with Matthew Frazier-Smith Dance. Megan holds a BA in English Literature from Ithaca College, and an MFA in Dance from Temple University. She was a Dance in Leadership scholarship recipient from Dance/USA, as well as the recipient of the Linda Rolfe “New Writer’s Prize” from Routledge Publications, for her research with Project Trans(m)it, which she co-founded and co-directed from 2015-2021. This long-distance venture- merging dance and technology – produced shows in England, as well as film festivals in the U.S. and New Zealand. She received a Pennsylvania Council for the Arts Grant for her evening work, “LAURA”. Her past choreography has been commissioned by Susquehanna University, Temple University, Lycoming College, Marywood University, Dickinson College and more.
Megan maintains a writing practice alongside her love of movement. Her creative writing has been published by Page and Spine, Mignolo Arts, Dark Onus Press, Zoetic Press/NonBinary Review, Last Stanza Poetry Journal, Danse Macabre Literary Journal, io Literary Journal and more.