Fringe Festival

A group of twelve people pose in front of a white wall. on the floor level, four group members either sit, lie, kneel or lunge on the ground. standing members lean on one another on either side of the crew, and people in the center sit or lay on a bench together.
Photo Credit: Cannonball
  • Interviews

Cannonball Bets on Philadelphia’s Indie Artists

Caitlin Green

“Cannonball is no one person’s vision, but the collective fever dream of us all.”

Photo: Colleen Sirisky
  • Reviews

‘Time of Truth’–A Coming of Age Dance

Rhonda Moore

The entire cast jockeys between individual and collective truths.

Photo: Maya Jackson
  • Reviews

“Dream Sweet, Rough Man”… and it seems like they did.

Caitlin Green

Their dance alters between roughhousing and romance.

photo: A. Thompson
  • Reviews

3 Pony Show’s Visceral Storytelling Summons Kinship and Survival in the 1900s

Caitlin Green

While pleasant feelings surface, I am reminded of the façade of joy as a necessity to survival

Photo: Courtesy of Philly Fringe
  • Reviews

Fairytales, Famine, and Anti-Semitism in Sugar Houses

Courtney Colón

A brutal truth is lodged in this fairytale’s retelling.

Photo: Amber Hongsermeier
  • Reviews

Imagining Femininity in Purple and Pink

Courtney Colón

The feminine edges of a masculine mind.

Photo: Caitlin Scholl
  • Interviews

Dance Like a Mother

Mira Treatman

Two working-parent-artists premiere a collaboration years in the making.

photo by Amber Johnston
  • Reviews

Gamer Dance Deconstructs Binaries

Lu Donovan

In this world, everyone’s name is Chad. All Chads are gay for all other Chads.

Photo: Garrett Matthew
  • Reviews

Motel Montana: Where Fantasy and Reality Coincide

Whitney Weinstein

A narrative of narratives exists beyond each door

Photo: Miryam Coppersmith
  • Reviews

Take It Off (hers/ours/yours)

Emilee Lord

The simple act of undressing is imbued with more significance when it is performed with careful attention.