Meet the Writers: Jonathan Stein

Jonathan Stein

What are you most excited to cover through TD?
Performance that is provocative, ironic, humorous, sensual, physically challenging, and smart.

Which part is challenging, scary, difficult?

Addressing dance that I am less familiar with, and beyond my past viewing experience. Returning to edit my own writing.

How did you learn to type?

Never learned, beyond the forefinger-each-hand method, nearly flunked typing in jr. high school, but I’m fast.

What is the TD project really about, in your experience?

Bringing more artist voices into the discourse, and filling a void with lots of energized dance writing.

Good dance…
wants me to come back the next night, and urge friends to come out too.

Good writing…

is all around us for the curious.

What is your “desert-island” publication?

My music collection in an island-pod.

If you never see another _________again, it will be too soon.
Presidential debate

What would your parents say about your work in the arts?

Wonderful, but are you still a Legal Services (legal aid) lawyer?

If you were to write a dance love-letter, it would be to:
Steve Krieckhaus, and ask when he is coming back.

Share this article

Jonathan Stein

Jonathan Stein has retired from a 50 year career in anti-poverty lawyering at Community Legal Services where he had been Executive Director and General Counsel, and remains Of Counsel. He is a member of the board of directors with thINKingDANCE as well as a writer and editor.

PARTNER CONTENT

Keep Reading

Jack and Jill Trudge up the Hill

E. Wallis Cain Carbonell

"No one help me. I’m falling towards wholeness."

Two white women with bright red hair pulled back loosely, wear black pants and tank tops and accentuate the curves of their waists, leaning into their hips and slightly covering their eyes with elbows bent at different angles. They are loosely connected by a thin, red thread and in the background there is a hill constructed of wooden blocks against a white wall. Completing the scene are red galoshes, two picture frames hung above the hill and a large new moon hung from the ceiling.
Photo: Shosh Isaacs

A (Mostly) Moving Romeo & Juliet for Our Times

Caedra Scott-Flaherty

Benjamin Millepied’s Romeo & Juliet Suite uses dance, theater, and film to retell a timeless tale.

David Adrian Freeland Jr., wearing a blue sleeveless top and pants, and Morgan Lugo, wearing a red sleeveless top and pants, kneel facing each other on the red-lit stage. With closed eyes and tilted heads, they touch palms, one arm straight and the other bent by their cheeks.
Photo: Stephanie Berger