All Articles

Photo: Grant Friedman

Dance as Palimpsest: Petronio Unplugged

Lauren Samblanet

Do all dances become palimpsests over time? Overlaid meanings and overlaid bodies...which we, the audience, can never see ful

Photo: Hellmut Gottschild

Arrows at Racism in Dance and Beyond: Brenda Dixon Gottschild

Lynn Matluck Brooks

On dance, her impact, and racism, "the most glaring, tragic, intransigent issue in every sector of the American landscape."

Photo: Alexander Iziliaev

Slain by Beauty

The context of Balanchine and Beyond makes Trisha Brown’s work gleam. A nod to the events of the day would have made the ball

Photo: Michael Bartmann

Dance as Medium: a turning of the bones

Scott Rodrigue

Bellows Falls allows story to arise from the concrete poetics of space.

Photo: Frank Bicking

Real Live People from Near and Far

Zornitsa Stoyanova

Issues of identity, race and communication with each other resonated, leaving me with a new hope for dance and its connection

Life Lines: Ally at the Fabric Workshop and Museum

Carolyn Merritt

There is the biography... And there is the universal—the multitudes of a single life, the luck of longevity.

Plate 3 Photography

The Pleasing, Profound, and Peculiarity of 4pm

Kat J. Sullivan

A Brewerytown afternoon unfolds with Subcircle's most recent missive.

Photo: Jess Weitz

Making Matters – Uncovering Process at the Vermont Performance Lab

Meredith Bove

I thought to myself, this will never happen again.

Photo: Kevin Monko

I love her: Chelsea & Magda

Lauren Samblanet

For every action there is an opposite but equal reaction. For every shame, there is a pleasure.

Photo: Phillymag.com

Queer Artists of Color: Why Their Works Matter

Gregory King

These performers bring to light experiences of queer people of color, so often overlooked and undernarrated.