Reviews

Photo: Neal Santos
  • Reviews

Gunnar Montana: Fierce and Fabulous

Whitney Weinstein

Athletic, high-octane dance makes room for surprising tenderness.

  • Reviews

Skimming the Surface of the American Girl

Whitney Weinstein

I left feeling they'd reduced America to cowgirls and red booty shorts.

Photo: Stephanie Berger
  • Reviews

Faustin Linyekula’s Art Mends Broken Circles

Jonathan Stein

Linyekula uses dance, video, and artifact to explore his intercontinental connections.

Photo: Maria Baranova
  • Reviews

Time Is Fleeting

Carolyn Merritt

Geoff Sobelle's HOME is magical, mystifying, and a little scary.

Photo: Janna Meiring
  • Reviews

Stillness and Disruption: On Flowers Cracking Concrete, a Book by Rosemary Candelario

Janna Meiring

Rosemary Candelario offers a critical analysis of the work of Eiko & Koma.

Photo: Whitney Casal
  • Reviews

Spilt Milk: Unearthing Conversational Clashes

Kalila Kingsford Smith

Interlacing sinewy dance and spoken text, "Spilt Milk" touches on miscommunication, white fragility, and difference.

A1,Mira Treatman,Da Vinci Art Alliance
  • Reviews

A1: Gravity Online

Julius Ferraro

Mira Treatman dramatizes her body’s conflict with gravity and time.

Photo: Lora Allen
  • Reviews

Everything at once, adjacent to you

Kat J. Sullivan

Each of them arrive where they need to be, do what they need to do, and the system churns on.

Photo: Ian Douglas
  • Reviews

Collapsed Time, Big Dance, and Pepys’s Penis

Jenna Horton

While we now see these other lights, it's Pepys's yard they light up.

Photo: Die-Cast
  • Reviews

Moving through Shakespeare

Whitney Weinstein

The difference between reading the play and watching a staged performance is the accessibility of the body.