Reviews

Photo: Lora Allen
  • Reviews

Everything at once, adjacent to you

Kat J. Sullivan

Each of them arrive where they need to be, do what they need to do, and the system churns on.

Photo: Ian Douglas
  • Reviews

Collapsed Time, Big Dance, and Pepys’s Penis

Jenna Horton

While we now see these other lights, it's Pepys's yard they light up.

Photo: Die-Cast
  • Reviews

Moving through Shakespeare

Whitney Weinstein

The difference between reading the play and watching a staged performance is the accessibility of the body.

Photo: Maseeh Ganjali
  • Reviews

Ike Hana: Sharing Danced Culture from the Asia Pacific Region

Lisa Kraus

Twenty-eight dances by groups from Korea, Tonga and Hawaii with the power to uplift and to transcend boundaries.

Photo: Courtesy of Grasshopper Film
  • Reviews

Bronx Gothic Becomes a Film: Divine Luxury

Ellen Chenoweth

The original in a different, fierce, and compelling incarnation

Photo: Jane Gussin
  • Reviews

Denise Jackson, Unplugged

Rhonda Moore

Do we really want the truth or are we addicted only to the mystery, the smokescreen?

Photo courtesy of Dance/USA
  • Reviews

Dance/USA and The Promise of Equity and Inclusion . . . Two Years Later

Gregory King

Ballet on the main stage, hip hop on the street

Photo: C. Stanley Photography
  • Reviews

To create beauty, to record despair, to dance for each other

Andrew Sargus Klein

MK Abadoo explores body politics, African Diaspora, and sci-fi through dance

Photo: Jonathan Stein
  • Reviews

SoLow Fest: So-Low to So-High on the Ben Franklin Bridge

Jonathan Stein

Mira Treatman led half a dozen curious across the bridge's pedestrian walkway.

Photo: Adam Reign
  • Reviews

We Are Where We Came From

Andrew Sargus Klein

Rosie Herrera’s pairing of sets and props with resonant personal symbols seamlessly blended the past and the present.