Reviews

Photo: Gene Pittman

Trisha Brown Revisited

Rhonda Moore

The early '70s pieces remain stridently current, thanks to the timeless quality of Brown’s work.

Photo: Mike Hurwitz

Firestorm

Sara Graybeal

Tablao Philly--an experience of unbridled crescendo, a night that accelerated in vigor, skill, and intensity until the end.

Photo: Herman Sorgeloos

Architectural Tuning

Megan Bridge

Partita 2 asks us not just to note the passing of time, but to participate kinesthetically in time’s ticking.

Photo: Jae Man Joo

Intricate Inconsistencies

Whitney Weinstein

Complexions Contemporary Ballet's athleticism and movement skills went overlooked by none.

Photo: ISOP

NowHere/NoWhere: Two Views

Zornitsa Stoyanova

tD writers Lynn Brooks and Zornitsa Stoyanova intertwine their takes on performances at the NowHere Festival of Free Improvisation

Photo: Natalia Kabanow

Chopin’s Sickly Hands

Julius Ferraro

Chopin Without Piano uses music in its dramatic application to reveal the way cultural revolutionaries are treated as cultural capital by appropriative governments.

Photo: Ayano Hisa

Silenced Voices Speak Up: Urban Bush Women

Lauren Samblanet

There is so much sadness and built-up anger, such a pressing need for strength, so much joy.

Photo: Ian Douglas

Theater in the Wake

Kirsten Kaschock

Sometimes you are not in control of what wells up inside of you in response to art... Sometimes, maybe that’s what art is.

Photo: Frank Bicking

To delight and to rot

Kat J. Sullivan

An aesthetic response to The Ripening Suite

Photo: Alexander Iziliaev

PAB: Pointe and Break

Lynn Matluck Brooks

Pennsylvania Ballet put on a dizzying display of the body's potential.