
We Carry The Load – Curt Haworth’s Cyborg Dreams
What from the past do we woefully lose or yearnfully
We Carry The Load – Curt Haworth’s Cyborg Dreams
What from the past do we woefully lose or yearnfully
‘Time of Truth’–A Coming of Age Dance
Since its audacious beginnings in Edinburgh in 1947, Fringe festivals
Mother to Son, Son to Mother – Megan Bridge and Tristan Price Celebrate Whistler and Bach
For the first time in 142 years, James Abbott McNeill
Finding the Words: Write Back Atcha Visits Miniball
Theatre Philadelphia and thINKingDANCE continue our partnership, begun in 2018, bringing
Dancing the Self In-Between*: A Dialogue with Umeshi Rajeendra
Dancers fervently stroke the full length of their arms with
Meaningfulness: Process Project in Times of COVID
In this very particular moment in time, when close encounters
Fringe Picks: 5 tD Writers on What They’re Seeing this Year and Why
The FringeArts Festival, no matter your take on it, is a
Ronald K. Brown/Evidence: Dancing Through the Spirit
During a recent phone interview, Ronald K. Brown shared with
The People Speak: Belle Alvarez & ILL DOOTS
Belle Alvarez’s Ageless Dream: Historias Nuestras and ILL DOOTS’s Existence, Resistance and the
Feminine Plural: Olive Prince Dance
Olive Prince’s Silencing the Tides takes you about as far from keeping
Singing the Body Eclectic: Michael Kiley & Close Music
Michael Kiley’s upcoming Philadelphia Fringe show Close Music for Bodies is all
The Heart, Soul and Immediacy of Doug Varone
Talking on the phone with movement artist Doug Varone is
The Bottomless Cup: Ella Cuda & Whitney Casal in Coffee?
Philadelphia Fringe Festival site-specific offerings add dimension to an already
A mixture of sounds, voices, bodies, and ideas populate The
Life After Charmatz’ Levée des Conflits
Watching Boris Charmatz’ masterful dancers skillfully perform Levée des Conflits at the
Given today’s dance, with its expansive stretch of categories, styles,
Skyler Lubin, newest addition to Philadelphia’s BalletX, credits her first
If you’re looking for performance that pulls at the heart,
The opportunity to personally experience a sampling of Trisha Brown’s
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For Rhonda Moore, putting words on paper is a choreographic process–from the mind to the blank sheet and then on to the observation and interpretation of all who may witness what is always, on some level a look inside someone else’s personal experience. She is a current staff writer and board of directors member with thINKingDANCE.
Rhonda Moore is a dancer, performance artist, educator and a founding member of the Bill T. Jones/Arnie Zane Dance Company. Moore has danced with Jamie Cunningham’s ACME Dance Company and began her dance career with intensive training in Dunham technique, performing with the Akosua Afro-Haitian Dance & Drum Troupe. Currently a teaching artist for the award winning Pierre Dulaine’s Dancing Classrooms Program, Moore previously served as Choral Director for the Singing City-in-the-Schools Program. Moore’s extensive international and domestic portfolios include conducting professional sound and movement workshops; creating site-specific interdisciplinary installations that integrate sound, movement and visual art through shared experience collaborative elaboration; teacher-specific professional development laboratories geared to generate curriculum development with a focused, integral inclusion of visual art, design, movement; and music and vocal concerts as jazz soloist in small combos as well as with chamber and full orchestral formations. She holds a BFA from SUNY Purchase, a diploma in classical piano performance from Hoff-Barthelson Music School in Scarsdale, NY, and full, permanent certification in Italian as a second language, conferred by the Foreign University of at Sienna, Italy. Ms. Moore serves as adjunct professor, dance faculty at Boyer College of Music and Dance, teaching a variety of courses spanning from dance composition to the study of the development of jazz music and dance in the United States.