
I originally applied to write for thINKingDANCE [tD] because I was
I originally applied to write for thINKingDANCE [tD] because I was
thINKingDANCE is seeking a part-time Executive Editor for the 2019-20 calendar years, and
Company Wang Ramirez (led by dance and romantic partners Honji
Back in November thINKingDANCE brought on a new writer, Thomas
Pig Iron’s A Period of Animate Existence is described as “symphonic
Our bodies are engaged in a constant struggle against invisible
Strange Tenants: A Stylized Nightmare
Faye (Tess Kunik) lies on her back behind the house
Marxism, Grotowsky, and a Rational Theater
Plays and Players’ Skinner Studio blackbox is set up with
I am grateful to the Village Voice and artist Lauren R. Weinstein for allowing
In the whitewashed, post-industrial lobby of Vox Populi, Meg Foley
Grief, Ritual, and Active Rejection
“Why are we here?” asks Annie Wilson, covered in glitter
Collaborative Public Invention
Pfff! 2016 (Philadelphia Free Form Festival 2016) is presented by the
Love-ish Letters: Write Back Atcha and Jerome Bel’s Gala
The experience of watching Gala is distinctly joyful. A cast
The Ruthless Beauty of Masculinity
I am completely swallowed up. I can’t call this chaos
We sit in clumps of chairs, back-to-back and eye-to-eye, audience
Contact and Chaos: duende’s music and dance quartet
Open Space is a white box just off of 7th
“These are the constants,” says Brett Ashley Robinson. She is
De-mystifying the Birthing Body: Zornitsa Stoyanova
Zornitsa Stoyanova’s solo performance Explicit Female was three years in the making
The Radical Linguistics of Mac Wellman
John Bezark, Jenny Kessler, and I are sitting outside of
Sports, Monsters, and the Unprecedented Event
Mano is a sport invented by the Philadelphia-based theater company
Sam Tower, choreographer and producer of 2015’s dark, choreographic fem-noir Fringe
Three tall walls dramatically cut down the broad playing space
Despite the title—Chopin Without Piano—the first thing co-creator/performer Barbara Wysocka
A short, brutal-looking sword hangs over the head of Thebes
More results...
Julius Ferraro is a journalist, performer, playwright, and project manager based in Philadelphia. His recent plays include Parrot Talk, Micromania, and The Death and Painful Dismemberment of Paul W. Auster. He is a former staff writer and Editor-in-Chief with thINKingDANCE.