
Blue, pink, purple. Black and white. Riots of cartoon-bright hues. Verdi. Hindemith.

Blue, pink, purple. Black and white. Riots of cartoon-bright hues. Verdi. Hindemith.
Open Call for tD Writers! – now closed
We are looking for NEW thINKingDANCE WRITERS and encourage the following


Ravishing Baroque Dance at Ravensong
“Early music” (typically pre-1800) has caught on in the United

Dancing Beautiful Despair: Romeo & Juliet
Kenneth MacMillan’s Romeo & Juliet (1965), a company debut for Pennsylvania Ballet, dwells

Glass Handel: Shattering Opera
What if you had lots of talent, fame, friends, faves,



Fringe Picks: 5 tD Writers on What They’re Seeing this Year and Why
The FringeArts Festival, no matter your take on it, is a

Ballet Hispánico in the Hinterland
For the last several summers, the magical music festival in Mt.

Maria Marten: Melodrama Makes a Comeback
In a quest to reach new audiences for performing arts

The Work that Dance Writing Does: Workshops with Sherril Dodds and Carolyn Merritt
Part I, by Lynn Brooks As part of our ongoing

Teaming Up: tD and Mighty Writers
This spring, we at thINKingDANCE [tD] piloted our first youth

Isadora Duncan (1877-1927), Paul Taylor (b. 1930), Trisha Brown (1936-2017)—what

The Core and the Corps of Swan Lake
I didn’t expect to, but I loved Pennsylvania Ballet’s Swan Lake. Why?

Tormented Genius: Jerome Robbins
A man of many parts—dancer, choreographer, director, visual artist, writer,

Some faces are unforgettable. Such a one is Arthur Mitchell’s,

Architectures of Time and Space
As a person who qualifies for senior discounts on public


Dance’s Past: Time is Running Out
It’s two minutes before the end of the UArts class

It was, for sure, an experience. After dutifully doffing shoes

Settling into my seat at the new Proscenium Theatre at

In twenty-five minutes of musical-theatrical hilarity, Aurora Classical shared Lee Hoiby’s take

A Tribute and a Promise – PAB Closes out the Season
Amy Aldridge danced her last show with Pennsylvania Ballet on

Pirates, Pashas, and Pretty Women
Harem girls, lovable pirates, and befuddled pashas constitute the world

Dance: Soft Diplomacy in the Cold War
Two years after the stimulating symposium, Russian Movement Culture of the


Engaging Entanglements: Duende
New music/classical music; live music/live dance; dancing bodies/tangled textiles. These

Jim May: A Beautiful Friendship with Philadelphia
Within a month of his move to Philadelphia’s Art Museum

This performance communicated a sense of both struggle and accomplishment

Cracking Up In Chaos: Pandaemonium
Nichole Canuso’s Pandaemonium, one of FringeArts’ curated shows this year, is

Through the Café Glass: Leah Stein’s Portal
Looking out the glass doorway and wide front windows of Frieda’s

For thirty years, Mt. Gretna has been my summertime haven for woods,

Precarious River: Beck Epoch on the Schuylkill
Rio. Brussels. Jerusalem. Dallas. Nice. Turkey. Baton Rouge — a

Arrows at Racism in Dance and Beyond: Brenda Dixon Gottschild
Brenda Dixon Gottschild, performance researcher and writer, emerita professor at

They Play, They Dance, They Improv!
Thirty shows of improvisational collaboration—that’s something! Such is Mascher Space’s


Don Quixote: Digging the Details
Don Quixote is known in the ballet world as something of

What’s New: Pennsylvania Ballet’s “Strength and Longing”
Artistic Director Angel Corella reveals his distinct vision for Pennsylvania


Nature or nurture—which most powerfully determines human behavior? This “sociological


Two thINKingDANCE authors intertwine their takes on performances at the

They can do it all: Pennsylvania Ballet dancers, that is. The opening

Three Sisters Run with the Wolves
Three Sisters and a Wolf is a first entry to the

Antonia Z. Brown’s Body of Water imagines the dancers “as different states

Writing Together about the Come Together Festival
One of the advantages of a showcase or festival-style summer

Lynn Matluck Brooks is a thINKingDANCE writer and editor. Christopher

Astonish Us: PAB’s Closing Season Program
Serge Diaghilev, legendary impresario of the Ballets Russes, instructed his

Flamenco evolved in intimate environments—back-street cafés, the caves of Granada,
Lynn Matluck Brooks was named to the Arthur and Katherine Shadek Humanities Professor at Franklin & Marshall College, where she founded the Dance Program in 1984. She holds bachelor’s, master’s, and doctoral degrees from the University of Wisconsin-Madison and Temple University. She is a former staff writer and editor-in-chief with thINKingDANCE.