
Motel Montana: Where Fantasy and Reality Coincide
A short-skirted maid, played by Frank Leone, welcomes me into

Motel Montana: Where Fantasy and Reality Coincide
A short-skirted maid, played by Frank Leone, welcomes me into

Theatre Philadelphia and thINKingDANCE continue our partnership, begun in 2018, bringing coverage and

Steve Pacek’s I Hear A Distant Song opens with historical artwork of

Every Sunday during Fringe at Sound Space Performing Arts, Take It Away

Slamming the Keyboard: A Quarantine Chronicle
The virtually unpronounceable title of Asya Zlatina’s Fringe Festival offering, #Quarantineksvkhvkhkdvhai,

The Little Prince and BalletX: Expansive Travels
The enthusiastic Christine Cox, BalletX co-founder, greeted a full house

I’ve noticed an increase in theatergoers spending more time fixated

Liquored Lovelies: Ending Fringe With A Bang
At The Murder & Booze Cabaret, I traveled back to the time

BASEMENT has an alarmingly different tone than Gunnar Montana’s last show, KINK HAÜS,

Gay Mis: A Revolution for the Random
“This play makes no sense. The plot lines are all


Taking Back the Forgotton Female
Performer Kailey McCrudden lay face down on the floor, in

Fringe artists are literally thinking outside the box, forcing audiences

Brian Sanders’ JUNK did it again. In Plunge he brought eroticism, athleticism,


BASIC WITCHES: An Esteemed Elixir of Musical Theater and Drag
In a place where painted nails and sweeping eyelashes are


Burlesque-N-Beyond was celebrating its tenth anniversary in the FringeArts festival

Class In Session, Let’s Talk Sex
Abstinence is the only way to avoid emotional rejection, STD’s,

Gunnar Montana: Fierce and Fabulous
One thing is clear at Gunnar Montana’s KINK HAÜS: nobody gives

Skimming the Surface of the American Girl
Beginning in 2013 as the All AmeROCKin Girls, the dancers

Shakespeare’s words, like a foreign language, often intimidate readers, especially

Leaping Forward and Larger: Insight into Almanac’s Revisited Work for Fringe
Four seafarers sit on their boat—which in the gallery space


As a young adult zooming into full-blown adulthood, I’m beginning

Parroting Parrot Talk: A Write Back Atcha Event
Humans are driven by repetition, satisfied by routine, fulfilled by

Seeking Sophie: An Interview With Peek-A-Boo Revue’s Sophie Sucré
With a rising interest in burlesque within the community, I

The Many Ventures of the Lady Hoofers
The Lady Hoofers Holiday Concert 2016 sold out in only

Connecting Through Movement, presented by Project Moshen, provided a quality,

Fading Dreams in PA Ballet’s Cinderella
Pennsylvania Ballet’s new artistic director Angel Corella has unapologetically placed


The Oven is a Baltimore-based theater company committed to developing


Barry: Mamaloshen in Dance! opened with two dancers in long skirts

Inhale. Rock, release. In Her: The Female Experience from Birth to

“Now is only now.” —Raphael Xavier, The Unofficial Guide to Audience

Full-bodied and Sweet: A Toast to the Taunt
Snowflakes on the ceiling, lights ablaze red and green: scandal

Step, drag, arch, clap, extend, bend, point, curve. The dancers

From Here to There and in Between
Combat, cooperation, glares, spitting, slapping, sarcasm. Despair, distress, giggling, boredom,

The Traumas of Careful Injuries
Careful Injuries commenced in an aluminum foil covered room reeking of


Baggage Attached: An Interview with Kate Watson-Wallace
Statements to keep in mind while watching Kate Watson-Wallace’s Mash Up

Dancing When Everybody’s Watching
On her website Caitlin Weigel introduces herself as a quirky, hard-working comedian

Scratch That and Recreate an Arts Community
When my gnocchi, derived from an old family recipe, arrived


What an entrance! Two comically overgrown hands slowly emerged from

Graceful. Elegant. Light. These are the qualities expected of dancers

A Religious Exploration of the Body
Slip, slide, slap, and thwack. These were the resounding noises


Hopping in a Scripted Improvisation
No rehearsals. No director. No set. A different actor reads
Whitney H. Weinstein is a dance educator, choreographer, writer, and professional mover. She is an editor and staff writer with thINKingDANCE. Learn more.
Whitney H. Weinstein is a dance educator, choreographer, writer, and professional mover. With extensive training and experience in many dance forms, theater, and expressive arts therapies, she aims to find creative ways of engaging with varied populations of all ages. She has worked in studio, academic, and clinical settings in the Philadelphia and Lancaster areas, and has performed for many years for various choreographers and companies. Whitney is a Registered Dance/Movement Therapist with a MA from Drexel University and a BFA in dance from Temple University. In addition to teaching, she currently fulfills multiple roles with thINKingDANCE, where she has been a writer since 2012. Her choreography has been accepted in local dance festivals and, with a firm belief in the power of holistic approaches to health and living, she leads wellness workshops and virtual classes.